『햄릿』의 영상 텍스트 분석

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참고문헌 (18)

1. 여석기, "햄릿과의 여행 리어와의 만남" (2001), 서울: 생각의 나무
2. Adelman, Janet, "Suffocating Mother: Fantasies of Maternal Origin in Shakespeare's Plays, Hamlet to The Tempest" (1992), London: Rutledge
3. Burnett, Mark Thornton, "The ‘very cunning of the scene’: Kenneth Branagh's Hamlet", Literature, 1997, pp.25(2), ~
4. Coursen, H. R, "Watching Shakespeare on Television" (1993), Futherford: Fairleigh Dickinson UP
5. Crowl, Samuel, "The Branagh Renaissance: Reimaging Shakespeare in the Age of Film" (1999), Athens: Ohio UP
6. Shakespearean Directors, "Shakespearean Films", pp.1990, Donaldson, Peter S
7. Dawson, Anthony, "Shakespeare in Performance: Hamlet" (1995), Manchester and New York: Manchester UP
8. Hapgood, Robert, "Popularizing Shakespeare: The artistry of Franco Zeffirelli.” Shakespeare The Movie: popularizing the plays on film, tv, and video" (1997), London and New York: Routledge
9. Hodgdon, Barbara, "The Critic, the Poor Player, Prince Hamlet, and the Lady in the Dark (Shakespeare Reread)" (1994), Ithaca: Cornell UP
10. James, Caryn, "Playing Mad Max to a Prince Possessed (19 December)", New York Times, C21~ (1990)
11. Jenkins, Harold, "The Arden Shakespeare: Hamlet" (1982), London and New York: Methuen
12. Jorgens Jack J, "Shakespeare on Film" (1977), Indiana and London: Indiana UP
13. Lake, James H, "The effects of primacy and recency upon audience response to five film versions of Shakespeare's Hamlet", Literature, 2000, pp.28(2), ~
14. McGuire, Philip C, "Speechless Dialect: Shakespeare's Open Silences" (1985), Berkeley: U of California P
15. Rothwell, Kenneth S, "The Shakespeare Plays: Hamlet and Five Plays of Season Three", Shakespeare Quarterly, 32(3) (1981)
16. Simmons, James R, "In the rank sweat of an enseamed bed”: sexual aberration and the paradigmatic screen Hamlets", Literature, 1997, pp.25(2), ~
17. Taylor, Neil, "The Film of Hamlet (Shakespeare and Moving Image)" (1994), Cambridge: Cambridge UP
18. Weller, Phillip, "Freud's footprints in films of Hamlet", Literature, 1997, pp.25(2), ~

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