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“내가 바로 작가야!”: 여성 작가의 새로 쓰는 셰익스피어, 앤-메리 맥도널드의 『잘자 데스데모나(잘잤니 줄리엣)』
"I'm the Author!": Woman's Revision of Shakespeare, Ann-Marie MacDonald' Goodnight Desdemona (Good Morning Juliet)
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참고문헌 (14)
- Djordjevic, Igor, "Goodnight Desdemona (Good Morning Juliet): from Shakespearean Tragedy to Postmodern Satyr Play", 37(1), pp.89~115 (2003)
- Fischlin, Daniel, "Shakespeare in Canada U of Toronto PNation and", as Adaptation: Shakespeare, Canada, and Authenticity." Shakespeare in Canada: A World Elsewhere?, 2002, 313~338[DOI]
- Fortier, Mark, "Theatre", Theory: An Introduction, 2002, ~[DOI]
- MacKay, Ellen, "The Spectre of Straight Shakespeare", 111, pp.10~14 (2002)
- Neely, "Broken Nupitals in Shakespeare's Plays" (1985)
- Novy, Marianne., "Saving Desdemona and", or Ourselves: Plays by Ann-Marie MacDonald and Paula Vogel." Transforming Shakespeare: Contemporary Women's Re-Visions in Literature and Performance, 1999, 67~86[DOI]
- Porter, Laurin R, "Shakespeare's 'Sisters': Desdemona, Juliet, and Constance Ledbelly in Goodnight Desdemona (Good Morning Juliet", 38(3), pp.362~377 (1995)
- Roberts, Jeanne Addison, "Women and the Tyranny of Dramatic Genres." Shakespeare Set Free Ⅲ: Teaching Twelfth Night and Othello", pp.11~21 (1995), Washington Square Press
- Rose, "The Expense of Spirit Love and Sexuality in Renaissance Drama" (1988)
- Shakespeare, William, "Othello" (2004), Cambridge UP
- Peter, "The Discourse of Sexual Difference in Early Modern Europe The U of Chicago P", pp.123~42 (1986)
- Vogel, Paula, "Desdemona: A Play about a Handkerchief." Adaptations of Shakespeare: A Critical Anthology of Plays from Seventeenth Century to the Present", pp.236~254 (2000), Routledge
- Yachnin Paul, "To Kill a King': The Modern Politics of Bardicide." Shakespeare and Modern Theatre: The Performance of Modernity", pp.36~54 (2001), Routledge
- I'm the Author!, "Woman's Revision of Shakespeare"
