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“내가 바로 작가야!”: 여성 작가의 새로 쓰는 셰익스피어, 앤-메리 맥도널드의 『잘자 데스데모나(잘잤니 줄리엣)』

"I'm the Author!": Woman's Revision of Shakespeare, Ann-Marie MacDonald' Goodnight Desdemona (Good Morning Juliet)

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참고문헌 (14)

  1. Djordjevic, Igor, "Goodnight Desdemona (Good Morning Juliet): from Shakespearean Tragedy to Postmodern Satyr Play", 37(1), pp.89~115 (2003)
  2. Fischlin, Daniel, "Shakespeare in Canada U of Toronto PNation and", as Adaptation: Shakespeare, Canada, and Authenticity." Shakespeare in Canada: A World Elsewhere?, 2002, 313~338[DOI]
  3. Fortier, Mark, "Theatre", Theory: An Introduction, 2002, ~[DOI]
  4. MacKay, Ellen, "The Spectre of Straight Shakespeare", 111, pp.10~14 (2002)
  5. Neely, "Broken Nupitals in Shakespeare's Plays" (1985)
  6. Novy, Marianne., "Saving Desdemona and", or Ourselves: Plays by Ann-Marie MacDonald and Paula Vogel." Transforming Shakespeare: Contemporary Women's Re-Visions in Literature and Performance, 1999, 67~86[DOI]
  7. Porter, Laurin R, "Shakespeare's 'Sisters': Desdemona, Juliet, and Constance Ledbelly in Goodnight Desdemona (Good Morning Juliet", 38(3), pp.362~377 (1995)
  8. Roberts, Jeanne Addison, "Women and the Tyranny of Dramatic Genres." Shakespeare Set Free Ⅲ: Teaching Twelfth Night and Othello", pp.11~21 (1995), Washington Square Press
  9. Rose, "The Expense of Spirit Love and Sexuality in Renaissance Drama" (1988)
  10. Shakespeare, William, "Othello" (2004), Cambridge UP
  11. Peter, "The Discourse of Sexual Difference in Early Modern Europe The U of Chicago P", pp.123~42 (1986)
  12. Vogel, Paula, "Desdemona: A Play about a Handkerchief." Adaptations of Shakespeare: A Critical Anthology of Plays from Seventeenth Century to the Present", pp.236~254 (2000), Routledge
  13. Yachnin Paul, "To Kill a King': The Modern Politics of Bardicide." Shakespeare and Modern Theatre: The Performance of Modernity", pp.36~54 (2001), Routledge
  14. I'm the Author!, "Woman's Revision of Shakespeare"

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