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셰익스피어의 희극에 나타난 바보광대 연구: 폴스타프를 중심으로

A Study of Fools in Shakespeare's Comedies: the Case of Falstaff

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This article explores the role and function of fools in Shakespeare’s comedies in terms of liminal experiences and carnivalesque laughter. Through a detailed analysis of Falstaff in The Merry Wives of Windsor (1600), the article will show how fools mainly play with the grotesque realism of physical bodies and how they can impose primitive playfulness and subversive awareness on both characters and audience. In a rigid Elizabethan society with stringent control and hierarchy, fools provided their audience with the experience of temporary displacement and trespass using uncontrollable bodies and floating discourses of them. Moreover, fools effectively implement their subversive roles to reveal the unpleasant conflicts and disorders existed in a society refusing the fictional concept of seamlessly harmonious social structure. They also created the laughter which effectively delivers serious and ridiculous meanings of the subjects in a community. Thus, Shakespeare powerfully displays ambiguous and complex characteristics of comedies by integrating fools with the carnivalesque energy of laughter.

Abstract

This article explores the role and function of fools in Shakespeare’s comedies in terms of liminal experiences and carnivalesque laughter. Through a detailed analysis of Falstaff in The Merry Wives of Windsor (1600), the article will show how fools mainly play with the grotesque realism of physical bodies and how they can impose primitive playfulness and subversive awareness on both characters and audience. In a rigid Elizabethan society with stringent control and hierarchy, fools provided their audience with the experience of temporary displacement and trespass using uncontrollable bodies and floating discourses of them. Moreover, fools effectively implement their subversive roles to reveal the unpleasant conflicts and disorders existed in a society refusing the fictional concept of seamlessly harmonious social structure. They also created the laughter which effectively delivers serious and ridiculous meanings of the subjects in a community. Thus, Shakespeare powerfully displays ambiguous and complex characteristics of comedies by integrating fools with the carnivalesque energy of laughter.

참고문헌 (21)

  1. Aristotle, "Poetics" (2002), Oxford
  2. Bakhtin, Mikhail, "Rabelais and His World" (1984), Indiana UP
  3. Barber, C. L, "Shakespeare’s Festive Comedy: a Study of Dramatic Form and Its Relation to Social Custom" (1959), Princeton UP
  4. Briggs, Asa, "A Social History of England" (1983), Viking
  5. Carroll. William C, "The Metamorphoses of Shakespearean Comedy" (1985), Princeton UP
  6. Freedman, Barbara, "Falstaff's Punishment: Buffoonery as Defensive Posture in The Merry Wives of Windsor", Shakespeare Studies, 14, pp.163~74 (1981)
  7. Gillespie, Stuart, "Shakespeare and Elizabethan Popular Culture" (2006), Arden Shakespeare
  8. Gurr, Andrew, "The Shakespearean Stage, 1574-1642" (1992), Cambridge UP
  9. Guy, John, "Tudor England" (1988), Oxford UP
  10. Hinely, Jan Lawson, "Comic Scapegoat and the Falstaff of Merry Wives of Windsor", Shakespeare Survey, 15, pp.37~54 (1982)
  11. Hutcheon, Linda, "A Theory of Parody: The Teachings of Twentieth-Century Art Forms" (1985), Routledge
  12. Kermode, Frank, "The Age of Shakespeare" (2005), Modern Library
  13. Knowles, Ronald, "Shakespeare and Carnival" (1998), Macmillan
  14. Leggatt, Alexander, "English Stage Comedy 1490-1990: Five Centuries of a Genre" (1998), Routledge
  15. Levin, Harry, "Playboys and Killjoys : An Assay on the Theory and Practice of Comedy" (1987), Oxford UP
  16. Plato, "Symposium" (1994), Oxford UP
  17. Rackin, Phyllis, "Stages of History: Shakespeare’s English Chronicles" (1990), Cornell UP
  18. Shakespeare, William, "The Merry Wives of Windsor" (2000), Methuen
  19. Turner, Victor, "The Ritual Process: Structure and Anti-structure" (1995), Aldine de Gruyter
  20. Weimann, Robert, "Shakespeare and the Popular Tradition in the Theater" (1978), Johns Hopkins UP
  21. Wiles, David, "Shakespeare’s Clown: Actor and Text in the Elizabethan Playhouse" (1987), Cambridge UP

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