스타니슬랍스키 시스템의 ‘심적 체험’과 ‘행위’에 의한 극 텍스트 읽기 방법

Abstract

The second part of ‘the method of reading drama text’ concentrates on mental experience. It forms the second ‘authentic passion and probable emotion’ in role creating of Stanislavski system and progresses systemically by dividing unit, making object as oneself, creation of psychic tone and inner full score of role, knowledge of relationship of object and super object, comprehending and performing super object by penetrative behavior. ‘Analysis through action’ is the kernel of this process. The purpose of analyzing drama text through behavior is to help a performer to feel rapidly ‘making role as oneself, making oneself as role’. 'Etude for analysis of drama text' should be carried out in each stage for operation of reason terrain as well as working of mental and physical construction, the real character of player. It means that reading drama text is not merely watching. At the stage of dividing unit and finding creative object, player should begin with dividing text and all the text of role into large part. When he or she does not comprehend instantly the depth and abundance of text's inner material or cannot afford to divide vastly separated part into several little objects, then he or she has to divide text into more detailed part and draw creative object from individual investigation about it. The next step is identifying with metal-physical object. As performer, he or she recognizes the life of role through his or her own experience to find and discern role's similar object by modifying what has been made until then by player as non-performer. At this time, a performer, standing in the middle of given circumstance, relates realistically with it through ordinary emotion and personal experience, and then he or she has to understand the object and desire that role lives for, the emotion that role feels, and the true passion that life of human spirit creates in role.