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글로벌 시대의 문화상호주의 연극 담론 연구-문화적 보편성과 특수성 논쟁에 대한 해체적 관점

A Deconstructive Perspective on Intercultural Theatre in the Global World

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참고문헌 (21)

  1. "문호상호주의 연극 보편성인가 문화제국주의인가」", (1), pp.99~109 (2000), 연극 평론
  2. "지구로의 전환 그리고 총체성」", pp.725~741 (2001), 민음사
  3. "연극과 문화상호주의」 공연과 이론", 3, pp.29~34 (2000)
  4. "현대연극의 한 조류로서 문화상호주의 연극, 한국연극", 292(10), pp.81~87 (2000)
  5. "Disjuncture and Difference in the Global Cultural Economy」" (1990), SAGE Publications
  6. "「Between Separation and Intergration: Intercultural Strategies in Contemporary Maori Theatre」, Patrice Pavis", pp.179~187 (1996)
  7. "Theatrical Syncretism and Post-Colonial Drama" (1999), Clarendon Press
  8. "A Dictionary of Theatre Anthropology The Secret Art of Performer" (1991)
  9. "A Guide to Theatre Anthropology, trans." (1995), Routledge
  10. "The Location of Culture" (1994)
  11. "Essays on Performance and Politics of Culture" (1993)
  12. "The Culture of Links」", pp.63~66 (1996)
  13. "The Condition of Postmodernity" (1989)
  14. "Dollarization, Fragmentation, and God", pp.273~290 (1998), Duke University Press
  15. "Postmodernism or the Cultural Logic of Late Capitalism" (1991), Duke University Press
  16. "Theatre at the Crossroads of Culture" (1992)
  17. "The End of Humanism" (1982)
  18. "「Interculturalism and the Culture of Choice", pp.41~50 (1996)
  19. "The Universal Solvent Mediations on the Marriage of World Cultures」" (1991)
  20. "Interculturalism and Iconophilia in the New Theatre」" (1991)
  21. "Issues of Intercultural Production and Reception in a Kathakali King Lear」 The University of Michigan Press" (1992)

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