신발굴 가집 『歌辭』의 특성

Abstract

In this paper, I analyze the characteristics of Gasa(歌辭) newly discovered anthology of songs based on my thought that a small anthology of songs out of the picture also has important information about performance of Gagok. Gasa(歌辭), a small anthology of songs, includes 26 Gagok Saseol and 4 Gasa. First, I reveal this bibliography. Compilation period(1804) is determined by the colophon on the cover and the characteristics of contained Saseol in this book. And the things this was edited by a fan of Gagok, not a professional, and the aspect of the birth of new Gajip written among fans like novel are confirmed. Next, I explore the identity of ‘Gopsoeongi’ and ‘Pyeonmori’ which are newly appeared in this Gajip. I find that “Eoje ganbamuido gopsonggoryeo” in ‘Gopsoeongi’ is ‘Soyong’ Saseol without exception after the middle of the 18th century, and reveal the fact that ‘Gopsoeongi’ calls ‘Soyong’. And I explore the reason why the letter, ‘Gop,’ is attached in front of ‘Soeongi’ and ‘Soyong.’ An alternative name of ‘Soyong’ is analyzed. Various names are found to be used, and they are all changes of ‘Soeong(i)’ and ‘Soyong(i).’ ‘Soeong’ and ‘Soyong.’ are just different from writing, not pronunciation. A diphthong in Korean language used in the middle ages was pronounced by disassembling. ‘ㅚ’ was pronounced as ‘ㅗㅣ(oj).’ Because of this, ‘Soeong’ and ‘Soyong.’ were all pronounced as ‘소ㅣ옹[sojoŋ].’ When ‘ㅣ[j]’ was realized as the first syllable, it was written as ‘Soeong,’ if not, as the second syllable, it was written as ‘Soyong.’ ‘i’ out of ‘Soeongi’ and ‘Soyongi’ is combined by a noun derivational suffix. Ｎames written in Chinese character, such as ‘Soyong(搔聳)’, ‘Soyong(騷聳)’, ‘Samnoe(三雷)’ have been given by tumultuous musical characteristics. names written in Chinese character, such as ‘Soyong(搔聳)’, ‘Soyong(騷聳)’, ‘Samnoe(三雷)’ have been given by tumultuous musical characteristics. The origin of ‘Soeongi’ or ‘Soyong’ has two stories, a struggling figure of a horse and high tone called ‘Soenda,’ is analyzed. However conclusion of the origin of the word, ‘Soeongi,’ is deferred. It has been widely known that Park Huung(朴後雄) is the origin of ‘Soyong.’ However I understand that many people stretched the meaning of the fact that this song was being famous among artists after reorganization of ‘Aham gui nwiopsingo’ as ‘Soyong.’ Above all, I find that already ‘Soyong’ existed. Among the rest, ‘Gopsoeongi’ Saseol, “Eoje bamdo honja gopsonggeuryeo”, was widely sung as ‘Soyong’ in the middle of 18thcentury, and I find ‘Soyong’ is originated from this song. I also examine that three times ‘Gopsonggeuryeo’ in this song combines tumultuous movements with figure of flinching speakers weirdly, it appealed to their audiences. For this, being interested in that one, they especially distinguished ‘Soyong’ songs from ‘Gopsoeongi.’ ‘Gopsoeongi’ was given by combination of ‘Gopsonggeuryeo’ and ‘Soeongi.’ Therefore ‘Gopsoeongi’ is the name of Changgok and the work.