現代 女性패션에 나타난 同一色彩코디네이션의 特性- 파리, 밀란, 뉴욕, 런던 컬렉션 中心으로 -

Abstract

The main objective of this research was to understand the characteristics of identical colorcoordination through the analysis of modern female fashion color coordination as they appear in theCollections.Data collection of 2026 was done through review of prt--porter Collections of four cities; Milan,London, New York, Paris. Lastly, statistical analysis of frequency and c2- test and also qualitativeinterpretation of identical color coordination characteristics were completed.The main findings were; The color coordination of modern womens fashion produces a unifiedtheme, or monochromatic harmony, through the use and coordination of identical colors. The clearcontrast of tones portrays a strong image especially in achromatic color coordination, and through theuse of texture variation, monochromatic color coordination becomes even more compelling. The tonevariation, observed most often in monochromatic color coordination was the black and white contrast,which enhances the simplicity and clarity. Within chromatic color combinations, tone on tone colorcoordination was achieved by varying brightness. Furthermore, the observation of Faux Camaeuindicates that the coordination of different textures is used often in identical color coordination. Whileachromatic colors can lead to a hard and rough feeling, it also is compensated through the use of varyingtextures. In addition, adding variety of textures can add subtle interests to the simplicity of white.Lastly, in all four collections, the chromatic identical color coordination was found more frequentlythan the achromatic. In Paris, N.Y. & London, the chromatic identical coordination was used more oftenthan chromatic. Milan showed most use of achromatic coordination. The use of the tones showed similartrends in all four collections, with contrasting tone being used most often, followed by similar andidentical tones.