전통한복 전문 카탈로그를 통해 본 2010년 이후 장식기법의 유형
Types of decoration techniques since 2010 in catalogues specializing in Hanbok
0
조회
0
다운로드
1
인용
0
참고문헌
키워드
초록
The purpose of this study is to classify the types of decoration techniques used in women’s Chima and Jeogori in traditional Hanbok catalogs from 2010 to 2020, and to analyze the frequency of each type. The method of this study is as follows. This study first investigated the transition of modern Hanbok and decorative techniques by analyzing and classifying such work in previous studies. Based on this, the technique of decorating the Jeogori and Chima that appeared in the traditional Hanbok catalog of the study period was analyzed. The results of the study are as follows. In the case of Jeogori, in the first half of 2010, the decorative technique of a relatively large size was used, and the decorativeness tended to be strong. However, in the late 2010s, the number of decorative techniques used in Jeogori has decreased, and the size of the decorative technique has become smaller and more concise, leading to a tendency to understated decoration. In the case of Chima, techniques to express natural texture by processing threads or fabrics themselves were mainly used rather than techniques to add decoration to the surface, and techniques to express various surface texture tended to develop toward the late 2010s. The change in the decoration technique of Jeogori and Chima appears to be a combination of social, cultural, and economic factors such as a change in consumption culture and a reduction in the wedding market.
Abstract
The purpose of this study is to classify the types of decoration techniques used in women’s Chima and Jeogori in traditional Hanbok catalogs from 2010 to 2020, and to analyze the frequency of each type. The method of this study is as follows. This study first investigated the transition of modern Hanbok and decorative techniques by analyzing and classifying such work in previous studies. Based on this, the technique of decorating the Jeogori and Chima that appeared in the traditional Hanbok catalog of the study period was analyzed. The results of the study are as follows. In the case of Jeogori, in the first half of 2010, the decorative technique of a relatively large size was used, and the decorativeness tended to be strong. However, in the late 2010s, the number of decorative techniques used in Jeogori has decreased, and the size of the decorative technique has become smaller and more concise, leading to a tendency to understated decoration. In the case of Chima, techniques to express natural texture by processing threads or fabrics themselves were mainly used rather than techniques to add decoration to the surface, and techniques to express various surface texture tended to develop toward the late 2010s. The change in the decoration technique of Jeogori and Chima appears to be a combination of social, cultural, and economic factors such as a change in consumption culture and a reduction in the wedding market.
참고문헌 (53)
- 안현주, "근대 여자한복 유물의 문양연구", 복식, 60(10), pp.100~117 (2010), 한국복식학회
- 조우현, "근대 유물을 통하여 본 여자한복의 전통색", 복식, 62(8), pp.149~165 (2012), 한국복식학회[DOI]
- Choi, K. S., "A study on the patterns used in the Hanbok in the latter 1990s", The Research Journal of the Costume Culture, 7(5), pp.812~823 (1999)
- 정혜경, "남북한 전통의상에 사용된 장식문양에 관한 비교 연구 -1990년대 중반이후 여성 한복을 중심으로-", 한국의류산업학회지, 8(6), pp.627~633 (2006), 한국의류산업학회
- 정혜경, "현대한복에 사용된 손 그림 장식에 관한 연구 -문양의 종류와 장식의 배치구도를 중심으로-", 한복문화, 12(1), pp.143~155 (2009), 한복문화학회
- 정혜경, "한복에 사용된 장식문양을 통하여 본 전통-현대화 작업에 대한 분석", 복식, 54(1), pp.11~21 (2004), 한국복식학회
- Daegu National Museum., "20th century Hanbok of Korean women" (2018), Daegu National Museum
- Dongmyeongsilk, (2010), Dongmyeongsilk
- Dongmyeongsilk., (2012), Dongmyeongsilk
- Dongmyeongsilk., (2013), Dongmyeongsilk.
- Dongmyeongsilk., (2014), Dongmyeongsilk.
- Dongmyeongsilk., (2015), Dongmyeongsilk.
- Dongmyeongsilk., (2017), Dongmyeongsilk.
- Dongmyeongsilk., (2018), Dongmyeongsilk.
- Dongmyeongsilk., (2019), Dongmyeongsilk.
- Dongmyeongsilk., (2020), Dongmyeongsilk.
- Jeong Won Han, "Recent Changes in Women's Jeogori Pattern - Focused on the Jeogori's in the Seoul Gwangjang Market and Busan Jin Market -", Journal of the Korean Society of Costume, 66(3), pp.1~17 (2016), The Korea Society of Costume[DOI]
- Hwang, E. S., "A study on the style change of Koran women's traditional costume", Journal of the Korean Society of Costume, 26, pp.93~126 (1995)
- Hwang, E. S., "The change of the Korean folk dress design for Korean women", doctor, pp.1995
- 황의숙, "디자이너 이리자의 작품세계에 나타난 한복디자인의 변화에 대한 연구", 한복문화, 12(2), pp.43~60 (2009), 한복문화학회
- Jang, S. H., "A study on the decorative techni-ques of Hanbok after 2010", master, pp.2021
- Jin, M. H., "A study on the transition of Korean clothes", Journal of the Korean Society of Costume, 15, pp.149~166 (1990)
- (2015)[URL]
- (2018)[URL]
- 김미영, "현대 여성한복에 나타난 퓨전스타일의 표현적 특성 연구", 한복문화, 16(2), pp.123~139 (2013), 한복문화학회
- Hanbok report 2016, "Korea Craft Design Foundation Hanbok Advancement Center", Korea Craft Design Foundation Hanbok Advancement Center, ~ (2017)
- Lee, B. H., "The influence of historical drama costume on Hanbok fashion", Journal of Asian Ethno-Form, 17, pp.5~20 (2016)
- Lee, E. J., "A study of the textiles for Hanbok since 1945 liberation", master, pp.2000
- (2003)[URL]
- Lee, H. S., "A study of decorative trend of Hanbok", master, pp.2005
- 박송애, "21세기 패션아이콘의 패션 스타일과 감성적 융합작용", 한국의상디자인학회지, 15(3), pp.109~118 (2013), 한국의상디자인학회
- Lee, M. J., "NCS learning module Hanbok material processing" (2014), Korea Research Institute for Vocational Education and Training
- (2004)[URL]
- (2006)[URL]
- Lee, Y. A., "A study on the Korean costume pattern design of applied applique", master, pp.2002
- Lee, Y. A., "A study on the design model by analysis for the ornamental characteristics of the traditional Hanbok", doctor, pp.2011
- (2009)[URL]
- Nam, J. H., "Silk science" (1998), Snupress
- Namgangsilk., (2011), Namgangsilk
- Namgangsilk., (2012), Namgangsilk
- Namgangsilk., (2013), Namgangsilk
- Namgangsilk., (2015), Namgangsilk
- Namgangsilk., (2017), Namgangsilk
- Namgangsilk., (2020), Namgangsilk
- National Folk Museum of Korea., "Forever fabulous" (2009), National Folk Museum of Korea
- 옥명선, "현대 한복치마에 사용된 장식기법의 유형과 특성 - 2001~2010년도를 중심으로 -", 복식문화연구, 19(4), pp.712~722 (2011), 복식문화학회[DOI]
- 박춘순, "근대이후 여자저고리 실물의 색채와 배색에 관한 연구", 복식, 59(2), pp.1~17 (2009), 한국복식학회
- Park, M. J., "A study on the making costume contents of TV drama and movie ‘Hwang Jin Yi’", Journal of Asian Ethno-Forms, 18, pp.29~45 (2017)
- Seo, M. J., "A study of contemporary traditional Korean woman’s clothes", master, pp.1985
- Seoul Historiography Institute., "Fashion in modern and contemporary Seoul" (2016), Seoul Historiography Institute
- Shin, H. S., "Years of western costume in Korea" (2008), Misul Munhwa
- (2007)[URL]
- (2011)[URL]