The symbolic meaning shown in the portraits of King Henry Ⅷ
0
조회
0
다운로드
1
인용
0
참고문헌
키워드
초록
The purpose of this study is to examine symbolic meanings of costumes shown by portraits of King Henry Ⅷ and use them as basic data for research on costume design of historical dramas in the Renaissance or on King Henry Ⅷ’s costume. This study attempted analysis of symbolic meanings from the paintings-related various domestic and overseas literatures, preliminary study paper, and web sites etc. The symbolic meanings expressed by the portraits of King Henry Ⅷ are characterized by authority, innovation performance, authority, masculinity, innovation performance, artistic taste, intellectual charm, intrepidity and benevolence. Especially, the portraits of King Henry Ⅷ symbolized his masculine beauty by emphasizing sexual attractiveness that cannot be seen in portraits of other kings through broad shoulders and exaggerated codpiece which are the zenith of masculine beauty during the Renaissance age. Through the image of King Henry Ⅷ which was painted with jester or barber surgeons, his characteristic and open mind thinking highly of the technique and human life was also expressed. In the portrait of King Henry Ⅷ, various images set in knights' tournament, playing a musical instrument and reading a book as well as the image of wearing a parliament costume were shown, highlighting King Henry Ⅷ as a person good at both literary and martial arts with open and innovative personality than any other kings in history.
Abstract
The purpose of this study is to examine symbolic meanings of costumes shown by portraits of King Henry Ⅷ and use them as basic data for research on costume design of historical dramas in the Renaissance or on King Henry Ⅷ’s costume. This study attempted analysis of symbolic meanings from the paintings-related various domestic and overseas literatures, preliminary study paper, and web sites etc. The symbolic meanings expressed by the portraits of King Henry Ⅷ are characterized by authority, innovation performance, authority, masculinity, innovation performance, artistic taste, intellectual charm, intrepidity and benevolence. Especially, the portraits of King Henry Ⅷ symbolized his masculine beauty by emphasizing sexual attractiveness that cannot be seen in portraits of other kings through broad shoulders and exaggerated codpiece which are the zenith of masculine beauty during the Renaissance age. Through the image of King Henry Ⅷ which was painted with jester or barber surgeons, his characteristic and open mind thinking highly of the technique and human life was also expressed. In the portrait of King Henry Ⅷ, various images set in knights' tournament, playing a musical instrument and reading a book as well as the image of wearing a parliament costume were shown, highlighting King Henry Ⅷ as a person good at both literary and martial arts with open and innovative personality than any other kings in history.
참고문헌 (21)
- Bae, S. J., "A study on the symbolism shown by the costumes in the portraits of Elizabeth I,", Korean Journal of Human Ecology, 3(1), pp.73~87 (2000)
- Bae, S. J., "Contemporary fashion & historic costume in the west", pp.144~166 (2008), Soohaks
- Cho, K. H., "Fashion aesthetics", pp.259~ (2004), Soohaksa
- Davenport, M., "The book of costume", pp.430~434 (1979), Crown publishers
- "England National Portrait Gallery: The Real Tudors"[URL]
- Go, A. R., "A history of fashion", pp.158~160 (2008), Kyomunsa
- Hayward, M., "Dress at the court of King Henry VIII", pp.2~125 (2007), Maney publishing
- Hayward, M., "The inventory of King Henry VIII: textiles and dress", pp.14~236 (2012), Harvey Miller Publishers
- Jeong, H. S., "A history of fashion", pp.168~ (2003), Kyomunsa
- 김주애, "The Symbolic Meanings of Louis XVI's Costumes in the Portraits", 한국의류학회지, 35(12), pp.1409~1417 (2011), 한국의류학회
- 김주애, "초상화에 표현된 마리 앙뜨와네트 여왕 복식의 상징적 의미", 한국디자인문화학회지, 17(1), pp.143~154 (2011), 한국디자인문화학회
- Kim, M. J., "Aesthetics in dress", pp.214~235 (2013), Kyomunsa
- Kim, M. J., "Western fashion multi contents", pp.203~ (2010), Kyomunsa
- Kimura, D., "The beginning of west art history", pp.128~130 (2012), Human art
- "Luminarium: Anthology of English Literature"[URL]
- Maurois, A., "A history of England" (1997), Girinwon
- Nochlin, L., "From princess to empress: The transformation of the monarchy in the portraits of King Victoria 1819-1901", Doctor, pp.2001
- Payne, B., "The history of costume", pp.273~274 (1992), Harper Collins publishers
- Shinginbutsuouraisha, "ヨ一ロッパの皇帝. 國王200人", pp.139~ (2013), Shinginbutsuouraibungo
- Shinjinbutsuouraisha, "世界の王室物語", pp.154~ (2011), Shinginbutsuouraisha
- "This is the real me: Tracy Trinita"[URL]
