중국 진․한(秦汉) 시기의 여성 예복인 곡거심의(曲裾深衣)의 패턴 및 3D 복원 연구
A study on the pattern and 3D restoration of the Wavy ju dress (曲裾深衣) of women’s robes from the Qin and Han dynasties of China
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
The traditional style of Chinese women’s dress was formed during the Zhou Dynasty (周), further developed during the Qin Dynasty (秦漢), and reached its peak during the Tang Dynasty (唐宋). Additionally, the garment classification system was solidified during the Ming Dynasty (明). This study focuses on the patterns and 3D reconstruction of the Wave Ju garment (曲裾深衣), a traditional Chinese aristocratic women’s garment representative of the Han Dynasty period. This study analyzed the style, dimensions, patterns, colors, and fabrics of the Wave Ju garment based on literature studies and excavated archival materials. Moreover, its shape, dimensions, and patterns were reconstructed using a CLO 3D program. This process aimed to recreate the original appearance of the traditional clothing as much as possible, and data on aspects such as pressure and deformation force were compared and analyzed to comprehensively evaluate its functionality and the effects of wear. The goal of this study is to contribute to the protection and legacy of traditional Chinese women’s clothing through historical documentation, clothing analysis, and 3D reconstruction.
Abstract
The traditional style of Chinese women’s dress was formed during the Zhou Dynasty (周), further developed during the Qin Dynasty (秦漢), and reached its peak during the Tang Dynasty (唐宋). Additionally, the garment classification system was solidified during the Ming Dynasty (明). This study focuses on the patterns and 3D reconstruction of the Wave Ju garment (曲裾深衣), a traditional Chinese aristocratic women’s garment representative of the Han Dynasty period. This study analyzed the style, dimensions, patterns, colors, and fabrics of the Wave Ju garment based on literature studies and excavated archival materials. Moreover, its shape, dimensions, and patterns were reconstructed using a CLO 3D program. This process aimed to recreate the original appearance of the traditional clothing as much as possible, and data on aspects such as pressure and deformation force were compared and analyzed to comprehensively evaluate its functionality and the effects of wear. The goal of this study is to contribute to the protection and legacy of traditional Chinese women’s clothing through historical documentation, clothing analysis, and 3D reconstruction.
참고문헌 (20)
- Gu, X., "美人罗裳: 汉服制作专业教程" (2020), Telecom Press
- "红妆翠眉、乌膏注唇、面涂赭色……古代女子的妆容,究竟能多时髦?" (2021)[URL]
- "T-shaped painting on silk from Xin Zhui’s tomb"[URL]
- Cultural Relics Publishing House, , 1973
- Cultural Relics Publishing House, , 1973
- "1985", ~
- Li, J., "Research on function transformation and form restoration of"Qipao"in the Qing dynasty based on virtual simulation technology", Creativity and Design, (2), pp.71~79 (2021)
- "汉代舞服的考古学研究" (2021)[URL]
- Shen, C., "中国古代服饰研究" (1981), Commercial Publishing House
- "GB/T 1335.1-1335.3—Clothing size standard for women" (2008)[URL]
- Vainker, S., "Chinese silk : A cultural history" (2004), British Museum Press
- Wu, A. Q., "The study on the formation of the clothing system and social hierarchy in the pre-Qin period", doctor, pp.2010
- Xia, T., "Research on Jingchu costumes from pre-Qin to Han dynasty", doctor, pp.2020
- "马王堆汉墓:丝国的彩衣" (2009)[URL]
- Xu, R., "漢代婦女服飾的考古學觀察", master, pp.2005
- Xu, S., "西汉初期女子曲裾深衣之美", Journal of Shandong University of Art and Design, (3), pp.89~95 (2020)
- Zhang, W., "Analysis of cross structure of Han Chinese clothing based on CLO 3D platform", Journal of Silk, (2), pp.131~136 (2021)
- Zhang, L., "汉代曲裾袍服的结构特征及剪裁技巧: 以马王堆一号汉墓出土的女性服饰 为范例", Fashion Guide, (2), pp.47~54 (2016)
- Zhang, L., "南宋女装形制风格研究" (2019), China Communication University Press
- "Fashion Guide", 2014, 29~35
