당악정재<헌선도>에 담긴 사상과 미의식- 창사를 중심으로 -

Abstract

This paper researches the thought and aesthetic sense of <Heonsundo(獻仙桃)> in Dangakjeongjae. For this study, I exam the historical aspects of reception in <Heonsundo(獻仙桃)> and lyrics of <Heonsundo(獻仙桃)>. <Heonsundo(獻仙桃)>, had been existed from the Koryo dynasty, showed an influence of Taoism. But it performed as a ritual of supplication for the king's longevity and the stability of the country rather than a ritual of Taoism. For this reason, <Heonsundo(獻仙桃)> could be performed in the Chosun dynasty. But the aesthetic aspects of <Heonsundo(獻仙桃)> had been changed in time. The aesthetic characters of <Heonsundo(獻仙桃)> in the late Koryo dynasty was based on the Pungryu(風流) of the spirit. As opposed to this, the aesthetic characters of <Heonsundo(獻仙桃)> in the early Chosun dynasty showed the inclination of the Pungryu(風流) of the fashion. And the aesthetic characters of <Heonsundo(獻仙桃)> in the late Chosun dynasty was based on the Pungryu(風流) of the fashion again. The analysis of the lyrics leaded to this conclusion. Even though the external import of <Heonsundo(獻仙桃)> was a supplication for the king's longevity, it showed an universal sublimity which transcended the times. To sum up, the sublimity and aesthetic characters of the lyrics in <Heonsundo(獻仙桃)> are related to the traditional Korean thought.