중국의 개혁개방 이후 조선족 시문학의 민족정체성 구현양상 연구

Abstract

This study examines the aspects of transition on ethnic Korean poetry according to political changes in the reform and openness era after the Cultural Revolution. Especially, the phenomenon that is from micro-discourse to macro-discourse and the aspect that literature is separated from the political dependency are examined. In other words, I’d like to study how express the national identity as expanding the poet’s personal lyric and how exemplify the poet’s inner feelings. This study focuses on the white image that is told as the character of ethnic Korean poetry in the era, and through the expression of biases of white color, I’d like to research how the national identity shows up. The white image is the one that traditionally forms biases of white color as the Korean race, it is the barometer that shows the national identity of ethnic Korean as descent from the Korean people. In the white image, swan images that are shown as repeated ones and white clothing image are used to analyze the implementation aspects of ethnic Korean identity. After establishing diplomatic relation with China, because the people who immigrate to Korea and move to the big cities in China are increased, so there is a terrible situation on cash in Yanbian Korean Autonomous Prefecture, and actually the exist of the Autonomous Prefecture is threatened. In this situation, settling down ethnic Korean identity, confirmation and keeping are very urgent matters. Literature is the important standard that shows the people’s feelings and identity. It is essential that studies how ethnic Korean identity and realization, and analyzes to focus on the time that is after the reform and openness policy that is a time of a great tumult for checking the status of ethnic Korean literature.