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Absent Characters in Dramaturgy in Before Breakfast and Trifles

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The purpose of this paper is to investigate the absent characters in Eugene O’Neill’s Before Breakfast and Susan Glaspell’s Trifles, and find out their dramaturgic importance. These two plays are regarded as a pair because they have interesting similarities. The use of absent characters is one of the similarities. Absent characters exercise great effects on these two plays. They remain in the offstage, but they dominate the whole play as much as any onstage characters. In this paper, the absent characters are being analysed in the aspects of the following three categories: the establishment; the effects on onstage figures and plot; and the effects on the themes.

Abstract

The purpose of this paper is to investigate the absent characters in Eugene O’Neill’s Before Breakfast and Susan Glaspell’s Trifles, and find out their dramaturgic importance. These two plays are regarded as a pair because they have interesting similarities. The use of absent characters is one of the similarities. Absent characters exercise great effects on these two plays. They remain in the offstage, but they dominate the whole play as much as any onstage characters. In this paper, the absent characters are being analysed in the aspects of the following three categories: the establishment; the effects on onstage figures and plot; and the effects on the themes.

참고문헌 (20)

  1. Alexander, Doris, "Eugene O’Neill’s Last Plays: Separating Art from Autobiography" (2005), U of Georgia P
  2. Ben-Zvi, Linda, "Susan Glaspell: Essays on Her Theater and Fiction" (1995), U of Michigan P
  3. Ben-Zvi, Linda, "Susan Glaspell and Eugene O’Neill: The Imagery of Gender", The Eugene O’Neill Newsletter, 10(1), pp.22~27 (1986)
  4. Black, Cheryl, "Making Queer New Things: Queer Identities in the Life and Dramaturgy of Susan Glaspell", Journal of Dramatic Theory and Criticism Fall, pp.49~64 (2005)
  5. Byrd, Robert E, "Unseen Characters in Selected Plays of Eugene O’Neill, Tennessee and Edward Albee", pp.1998
  6. Carpentier,Martha C., "Susan Glaspell:New Direction in Critical Inquiry" (2006), Scholars P
  7. Foucault,Michel, "Discipline and Punish:The Birth of the Prison" (1979), Vintage Books
  8. Frenz,Horst, "Eugene O’Neill" (1971), Frederick Ungar
  9. Gainor, J. Ellen, "Susan Glaspell in Context: American Theater, Culture, and Politics, 1915-48" (2004), U of Michigan P
  10. Glaspell,Susan, "The Road to the Temple" (1941), Frederick A.Stokes
  11. Glaspell, Susan, "Lifted Masks and Other Works. Ed. Eric S. Rabkin" (1993), U of Michigan P
  12. Goldberg,Isaac, "The Drama of Transition" (1922), Stewart Kidd
  13. Hins-Bode, Kristina, "Susan Glaspell and the Anxiety of Expression: Language and in the Plays. Jefferson" (2006), KcFarland
  14. Liu, Haiping, "The Invisible: A Study of Eugene O’Neill’s Offstage Characters", The O’Neill Review, 18(1), pp.149~161 (1994)
  15. Lukacs,George, "The Sociology of Modern Drama" (1965), Green Mountain Editions
  16. O’Neill,Eugene, "Before Breakfast" (1916), Frank Shay
  17. Phelan, Peggy, "Trisha Brown’s Orfeo: Two Takes on Double Endings ; Of the Presence of the Body: Essays on Dance and Performance Theory" (2004), Wesleyjan UP
  18. Sander, Lucia V., "A Trembling Hand and A Rocking Chair ; Susan Glaspell: NewDirection in Critical Inquiry", pp.25~36 (2006), Cambridge Scholars P
  19. Stamm, Rudolf, "The Shaping Powers at Work: Fifteen Essays an Poetic Transmutation" (1967), Carl Winter U
  20. Stokes, Rachel Few, "The Significance of the Absent Character and Female Identity in Susan Glaspell’s Trifles, Bernice, and Alison’s House", 석사, pp.1997

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