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The Idiosyncrasy of Maggie and the Double Vision of Stephen Crane’s Maggie: A Girl of the Streets

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In Maggie: A Girl of the Streets (1893, 1896), Stephen Crane (1871-1900) portrays the Bowery of New York where most of its residents live by naturalistic norms of living. The district is depicted as a naturalistic world controlled by environmental determinism, and it is also a chaotic world full of fights, screams, clashes, betrayals, disorder, and social injustice. The protagonist of the novel Maggie, however, is a romantic idealist thrown into such a harsh naturalistic environment. Unlike the majority of the inhabitants of the Bowery, she stands out as a beauty with a romantic worldview and displays idiosyncratic attributes that do not seem to fit the naturalistic milieu of the tenement district. Due to her peculiar inclinations to romanticism and idealism, she falls victim to the environment and faces a series of ordeals and, eventually, a tragic death. Crane, nevertheless, maintains a double standard in presenting Maggie’s tragic life by denouncing the harsh environment and her inability to adapt to the environment at once.

Abstract

In Maggie: A Girl of the Streets (1893, 1896), Stephen Crane (1871-1900) portrays the Bowery of New York where most of its residents live by naturalistic norms of living. The district is depicted as a naturalistic world controlled by environmental determinism, and it is also a chaotic world full of fights, screams, clashes, betrayals, disorder, and social injustice. The protagonist of the novel Maggie, however, is a romantic idealist thrown into such a harsh naturalistic environment. Unlike the majority of the inhabitants of the Bowery, she stands out as a beauty with a romantic worldview and displays idiosyncratic attributes that do not seem to fit the naturalistic milieu of the tenement district. Due to her peculiar inclinations to romanticism and idealism, she falls victim to the environment and faces a series of ordeals and, eventually, a tragic death. Crane, nevertheless, maintains a double standard in presenting Maggie’s tragic life by denouncing the harsh environment and her inability to adapt to the environment at once.

참고문헌 (16)

  1. Brooks, Van Wych, "Introduction. Maggie: A Girl of the Streets and George’s Mother: A Tragic Tale of the Bowery", pp.5~8 (1960), Fawcett
  2. Budd, Louis J, "The American Background , Pizer, The Cambridge Companion to American Realism and Naturalism", 21~46
  3. Camus, Albert, "The Stranger" (1989), Vintage-Random
  4. Colvert. James B., "Introduction. Great Short Works of Stephen Crane", pp.7~15 (1968)
  5. Conder,John J, "Naturalism in American Fiction:The Classic Phase" (1984), UP of Kentucky
  6. Crane, Stephen, "Maggie: A Girl of the Streets" (1979), Norton
  7. Crane, Stephen, "Maggie: A Girl of the Streets. 1896. Great Short Works of Stephen Crane", pp.127~189 (1968), Harper
  8. Dooley,Patrick K, "The Pluralistic Philosophy of Stephen Crane" (1993), U of Illinois P
  9. Gandal, Keith, "Stephen Crane’s ‘Maggie’ and the Modern Soul", ELH: English Literary History, 60, pp.759~785 (1993)
  10. Hapke, Laura, "The Alternate Fallen Woman in Maggie: A Girl of the Streets", Markham Review, pp.41~43 (1983)
  11. Krause, Sydney J, "The Surrealism of Crane’s Naturalism in Maggie", American Literary Realism, 16, pp.253~261 (1983)
  12. Levenson, J. C, "The Red Badge of Courage and McTeague: Passage to Modernity , Pizer, The Cambridge Companion to American Realism and Naturalism", 154~177
  13. Nagel,James, "Stephen Crane and Literary Impressionism" (1980), Pennsylvania State UP
  14. Pizer, Donald, "Maggie and the Naturalistic Aesthetic of Length", American Literary Realism, 28(1), pp.58~65 (1995)
  15. Pizer, Donald, "The Problem of Definition ; Introduction. Pizer, The Cambridge Companion to American Realism and Naturalism", 1~18
  16. Pizer,Donald, "The Cambridge Companion to American Realism and Naturalism:Howells to London" (1995), Cambridge UP

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