타자를 향한 순수욕망과 공포: 들뢰즈/거타리, 레비나스, 고딕소설
Pure Desire for the Other and Horror Mood: Deleuze/Guatarri, Levinas, the Gothic Novel
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Abstract
Lee, Jae-Seong. “Pure Desire for the Other and Horror Mood: Deleuze/Guatarri, Levinas, the Gothic Novel.” Studies on English Language and Literature. 32.1(2006): 87-104. This paper argues that while reading Frankenstein and Dracula, the best Gothic novels, the reader’s mind is drawn to the boundary of the self and feels the difference between the inside world of the self and the outside that is beyond the unity of signs in the text. Using the ethical theories of Emmanuel Levinas and Gilles Deluze/Felix Guatarri, I claim and discuss that the pure desire of the human subject for the other―the exteriority of the subjectivity―is the source of the Gothic surplus sensibility that the reader comes to have. The argument is also extended to a short analysis of the film versions―Mary Shelly’s Frankenstein(1994) and Bram Stoker’s Dracula(1992)―both of which are, among others, most faithful to the original. (Pusan National University)
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