Tennyson’s Poetics of Sorrow in “Mariana” and “The Palace of Art”
Tennyson’s Poetics of Sorrow in ‘Mariana’ and ‘The Palace of Art’
1
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
Kang, Sang Deok. “Tennyson’s Poetics of Sorrow in ‘Mariana’ and ‘The Palace of Art.’” Studies on English Language & Literature. 33.2(2007): 21-33. This essay shows that anticipations of the “art for art’s sake” theory can be found in Tennyson’s poetry which is in line with the tenets of aestheticism, and to show that Tennyson’s lyricism is a “palace of art” in which his tragic emotions―sadness, sorrow, despair, and melancholic sensibility―were built into beauty. It is my intention to give him a new significance in the history of literature by putting him in the line of aesthetes. His poetry expresses subjective states of feeling, and serves an aesthetic purpose. He accomplished this private purpose of poetry through the medium of a lyricism which is characterized by sorrow and melancholy. I support my argument by examining two poems “Mariana” in the 1830 volume and “The Palace of Art” in the 1832 volume. (Cheju National University)
Abstract
Kang, Sang Deok. “Tennyson’s Poetics of Sorrow in ‘Mariana’ and ‘The Palace of Art.’” Studies on English Language & Literature. 33.2(2007): 21-33. This essay shows that anticipations of the “art for art’s sake” theory can be found in Tennyson’s poetry which is in line with the tenets of aestheticism, and to show that Tennyson’s lyricism is a “palace of art” in which his tragic emotions―sadness, sorrow, despair, and melancholic sensibility―were built into beauty. It is my intention to give him a new significance in the history of literature by putting him in the line of aesthetes. His poetry expresses subjective states of feeling, and serves an aesthetic purpose. He accomplished this private purpose of poetry through the medium of a lyricism which is characterized by sorrow and melancholy. I support my argument by examining two poems “Mariana” in the 1830 volume and “The Palace of Art” in the 1832 volume. (Cheju National University)
참고문헌 (13)
- Garden City, "A Selection from the Poems of Alfred Lord Tennyson" (1944)
- Brunner, Larry, "‘I Sit As God’ Aestheticism and Repentance in Tennyson’s ‘The Palace of Art’", pp.43~54 (2003)
- Buckley, "The Growth of a Poet" (1967)
- John, "Critical Essays on the Poetry of Tennyson London" (1960)
- Robert Woodrow, "The Poetry of Experience The Dramatic Monologue in Modern Literary Tradition" (1957), Random House
- Leighton, Angela, "Touching Forms: Tennyson and Aestheticism", 52, pp.56~75 (2002)
- Tennyson, "Essays in Criticism 1", pp.262~82 (1951)
- Miller, "The Theme of the Disappearance of God in Victorian Poetry", pp.207~27 (1963)
- Nicolson, "Aspects of his Life" (1923), Houghton Mifflin Company
- Pater, "Studies in Art and Poetry" (1925), Macmillan and Co
- Pitt, "U of Toronto P" (1962)
- Richards, "Principles of Literary Criticism" (1924), Brace and Company Inc
- Smith, "U of Nebraska P" (1964), Lincoln