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가난한 백인의 비극: 워시 존스의 환상과 환멸

Tragedy of Poor White: Wash Jones’s Illusion and Disillusion.

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초록

“Wash”, one of a hundred-odd Faulkner’s short stories, deals with conflict between two white classes in the South. This paper focuses on how the hero, Wash, chooses a destructive action in the rigid social structure and ends his life tragically. Wash Jones is a poor white and cannot acknowledge his painful reality that the blacks are better fed and housed than he is. Instead, he idealizes and worships Sutpen, a Southern aristocrat, for life, believing in white supremacy. He even identifies himself with heroic Sutpen, but this is only his illusory world substituted for intolerable reality. His illusion, however, shatters and he becomes disillusioned when Sutpen treats his granddaughter and her baby inhumanely. Wash kills Sutpen not only for himself but for his whole class, because Sutpen’s evil is not independent and regional but prevalent in the world. Wash discards his humiliating servitude and becomes a figure with honor and dignity by resisting which is a virtue Faulkner admires and encourages.

Abstract

“Wash”, one of a hundred-odd Faulkner’s short stories, deals with conflict between two white classes in the South. This paper focuses on how the hero, Wash, chooses a destructive action in the rigid social structure and ends his life tragically. Wash Jones is a poor white and cannot acknowledge his painful reality that the blacks are better fed and housed than he is. Instead, he idealizes and worships Sutpen, a Southern aristocrat, for life, believing in white supremacy. He even identifies himself with heroic Sutpen, but this is only his illusory world substituted for intolerable reality. His illusion, however, shatters and he becomes disillusioned when Sutpen treats his granddaughter and her baby inhumanely. Wash kills Sutpen not only for himself but for his whole class, because Sutpen’s evil is not independent and regional but prevalent in the world. Wash discards his humiliating servitude and becomes a figure with honor and dignity by resisting which is a virtue Faulkner admires and encourages.

참고문헌 (23)

  1. Blotner, Joseph, "Faulkner: A Biography" (1991), Vintage Books
  2. Cash, W. J., "Mind of the South" (1941), Knopf
  3. Cowley, Malcolm, "The Portable Faulkner" (1977), Penguin Books
  4. Du Bois, W. E. B, "Black Reconstruction in America" (1976), Kraus-Thomson
  5. Faulkner, William, "The Portable Faulkner" (1977), Penguin Books
  6. Grasso, Linda M, "The Artistry of Anger: Black and White Women’s Literature in America, 1820-1860" (2002), U of North Carolina P
  7. Howe, Irving, "William Faulkner: A Critical Study" (1975), U of Chicago P
  8. Hundley, Daniel Robinson, "Social Relations in Our Southern States" (1979), Longstreet P
  9. Meriwether, James B., "Lion in the Garden: Interviews with William Faulkner 1926-1962" (1968), Random House
  10. Miles, Caroline, "William Faulkner’s Critique of Capitalism: Reading “Wash” and “Centaur in Brass” as Stories about Class Struggle", Mississippi Quarterly, 61(3), pp.325~341 (2008)
  11. Millgate, Michael, "William Faulkner" (1961), Oliver and Boyd
  12. O’Connor, Van William, "The Tangled Fire of William Faulkner" (1968), Gordian P
  13. Rodden, John, "“The Faithful Gravedigger”: The Role of “Innocent” Wash Jones and the Invisible “White Trash” in Faulkner’s Absalom, Absalom!", Southern Literary Journal, 43(1), pp.23~38 (2010)
  14. Skei, Hans H., "Reading Faulkner’s Best Short Stories" (1999), U of South Carolina P
  15. Smith, Dina, "Cultural Studies’ Misfit: White Trash Studies", Mississippi Quarterly, 57(3), pp.369~387 (2004)
  16. Stewart, Jack F, "Apotheosis and Apocalypse in Faulkner’s ‘Wash’", Studies in Short Fiction, 6(Fall), pp.586~600 (1969)
  17. Vickery, W. Olga, "Novels of William Faulkner" (1964), Louisiana State UP
  18. Volpe, Edmond, "A Reader’s Guide to William Faulkner: The Short Stories" (2004), Syracuse UP
  19. Waggoner, Hyatt, "William Faulkner: From Jefferson to the World" (1966), UP of Kentucky

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