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로버트 프로스트의 ‘선택’

Robert Frost and His Choice

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Robert Frost has been loved not only by critics but by general readers as well. He enjoyed an unrivaled popularity with a general readership among twentieth century American poets. This popularity was resulted from his refusal to be a part of the ferment of Modernist. Instead, he chose “the old-fashioned way to be new.” Although he is focusing on the sympathy between nature and humans like Romantist, he interprets the relationship with point of view of his own times. Frost’s speakers mostly feel isolation from nature unlike Romantist. This isolation refers to the isolation modern people feel in their life. He can be “a poet for all sorts and kinds” with his choice to intend to differentiate himself from his contemporaries. For him, poetry can be “a momentary stay against confusion” of life. What he really wants is that his readers feel consolation and get wisdom through his poems.

Abstract

Robert Frost has been loved not only by critics but by general readers as well. He enjoyed an unrivaled popularity with a general readership among twentieth century American poets. This popularity was resulted from his refusal to be a part of the ferment of Modernist. Instead, he chose “the old-fashioned way to be new.” Although he is focusing on the sympathy between nature and humans like Romantist, he interprets the relationship with point of view of his own times. Frost’s speakers mostly feel isolation from nature unlike Romantist. This isolation refers to the isolation modern people feel in their life. He can be “a poet for all sorts and kinds” with his choice to intend to differentiate himself from his contemporaries. For him, poetry can be “a momentary stay against confusion” of life. What he really wants is that his readers feel consolation and get wisdom through his poems.

참고문헌 (15)

  1. Bloom, Harold, "Bloom’s Modern Critical Views" (2003), Chelsea House Publishers
  2. Ellmann, Richard, "The Norton Anthology of Modern Poetry" (1973), Norton&Company, Inc
  3. Faggen, Robert, "The Cambridge Introduction to Robert Frost" (2008), Cambridge UP
  4. Frost, Robert, "Collected Poems, Prose, & Plays" (1995), The Library of America
  5. Frost, Robert, "The Collected Prose of Robert Frost" (2007), Harvard UP
  6. Frost, Robert, "Selected Letters of Robert Frost" (1964), Holt, Rinehart and Winston
  7. Greiner, Donald J., "Robert Frost: The Poet and His Critics" (1974), American Library Association
  8. Ingebretsen, "Stopping by Woods on a Snowy Evening" (2002), Salem P
  9. Little, Michel R., "Bloom’s How to Write About Robert Frost" (2010), Blooms Library Criticism
  10. Moosavinia, Sayyed R., "Potential Ambiguity in Robert Frost’s “The Road Not Taken”", The Explicator, 76(1), pp.33~35 (2018)[DOI]
  11. Muste, John M., "Masterplots II", pp.40~42 (2002), Salem P
  12. Poirier, Richard, "Robert Frost: The Work of Knowing" (1977), Oxford University Press
  13. Stanlis, Peter J., "Robert Frost, The Poet as Philosopher" (2007), ISI Books
  14. Wilcox, Earl J., "Roads Not Taken, Rereading Robert Frost" (2000), Missouri UP
  15. Winters, Yvor, "Robert Frost: A Collection of Critical Essays", pp.58~82 (1962), Prentice-Hall

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