D. H. 로렌스의 주요 장편소설에 나타난 성서적 이미저리
Biblical Imagery in D. H. Lawrence's Main Novels
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This paper examines a unique narrative stream―deprivation, wandering and restoration―which is in the three main novels of D. H. Lawrence: The Rainbow, Women in Love, and Lady Chatterley's Lover. The narrative stream consists of four stages: the first, the opening presentation of idealistic life mode of the Marsh Farm in The Rainbow; the second, the diachronic pres- entation of three generations(Tom Brangwen―Lydia; William Brangwen― Anna; Skrebensky―Ursula) in The Rainbow; the third, the synchronic pres- entation of two couples(Berkin―Ursula; Gerald―Gudrun) in Women in Love; the fourth, the final presentation of a new idealistic life plan of Mellors and Connie, which is most similar to the life way in the Marsh Farm, compar- ing the failed one of Clifford and Connie, in Lady Chatterley's Lover. In the prologue of The Rainbow, Lawrence put a scene of the Brangwens' lives in the Marsh Farm. The Marsh Farm is presented as an ideal pastoral agricultural society. The Brangwens had lived for generations there. Before a new industrialization inflow approached there, their lives were peaceful. But the women there began to look at the outside world beyond the farm, be- cause of their strong desire of knowledge. The action of the women symbol-izes the event of Eve's picking and eating the fruit of tree of knowledge in the Garden of Eden, and being banished from there. In The Rainbow, the lives of three generations―Tom Brangwen and Lyd- ia; William Brangwen and Anna; Skrebensky and Ursula―show their own relationships between the two, and make a diachronic stream of destructive discords or partial harmonies through three generations. The diachronic stream transfers into a new synchronic one in Women in Love. Two couples(Berkin―Ursula; Gerald―Gudrun) are presented in Women in Love. Lastly, the diachronic stream continues in Lady Chatterley's Lover. Two contrastive pairs(a failed one of Clifford―Connie; an ideal one of Mellors―Connie) are shown in Lady Chatterley's Lover. Lawrence presents an ideal life mode in the prologue of The Rainbow, and tries to build up another ideal world in the wood of the Wragby, but failed. Finally, he plans to make the ideal world in a far-off country in the vision of Mellors and Connie. The life mode in the vision reminds us of the Marsh Farm in The Rainbow.
Abstract
This paper examines a unique narrative stream―deprivation, wandering and restoration―which is in the three main novels of D. H. Lawrence: The Rainbow, Women in Love, and Lady Chatterley's Lover. The narrative stream consists of four stages: the first, the opening presentation of idealistic life mode of the Marsh Farm in The Rainbow; the second, the diachronic pres- entation of three generations(Tom Brangwen―Lydia; William Brangwen― Anna; Skrebensky―Ursula) in The Rainbow; the third, the synchronic pres- entation of two couples(Berkin―Ursula; Gerald―Gudrun) in Women in Love; the fourth, the final presentation of a new idealistic life plan of Mellors and Connie, which is most similar to the life way in the Marsh Farm, compar- ing the failed one of Clifford and Connie, in Lady Chatterley's Lover. In the prologue of The Rainbow, Lawrence put a scene of the Brangwens' lives in the Marsh Farm. The Marsh Farm is presented as an ideal pastoral agricultural society. The Brangwens had lived for generations there. Before a new industrialization inflow approached there, their lives were peaceful. But the women there began to look at the outside world beyond the farm, be- cause of their strong desire of knowledge. The action of the women symbol-izes the event of Eve's picking and eating the fruit of tree of knowledge in the Garden of Eden, and being banished from there. In The Rainbow, the lives of three generations―Tom Brangwen and Lyd- ia; William Brangwen and Anna; Skrebensky and Ursula―show their own relationships between the two, and make a diachronic stream of destructive discords or partial harmonies through three generations. The diachronic stream transfers into a new synchronic one in Women in Love. Two couples(Berkin―Ursula; Gerald―Gudrun) are presented in Women in Love. Lastly, the diachronic stream continues in Lady Chatterley's Lover. Two contrastive pairs(a failed one of Clifford―Connie; an ideal one of Mellors―Connie) are shown in Lady Chatterley's Lover. Lawrence presents an ideal life mode in the prologue of The Rainbow, and tries to build up another ideal world in the wood of the Wragby, but failed. Finally, he plans to make the ideal world in a far-off country in the vision of Mellors and Connie. The life mode in the vision reminds us of the Marsh Farm in The Rainbow.
참고문헌 (17)
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