밀턴의 『투사 삼손』 읽기: 구원인가, 복수의 완성인가?
Reading Milton's Samson Agonistes: Is it Salvation or the Completion of Revenge?
2
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
In Samson Agonistes(1671) John Milton focuses on the last critical moments of Samson's life. In this study, I try to answer the question “Does Milton ultimately embody Samson's salvation or the completion of divine revenge?” in Samson Agonistes. To achieve this I’ll show that Milton rewrites the biblical Samson story as a tragedy with a Christian perspective by means of dramatizing Samson's spiritual sufferings and growth. Milton's Samson has a psychological depth that is hard to find in the biblical Samson story. At the beginning of the play, blinded and imprisoned Samson abandons himself to despair. However, through his successful struggles with tempters such as Chorus, Manoa, Dalila and Harapha and also through ‘rousing divine motions’ in him, Samson finally revenges himself on both the Philistines and their false god Dagon in self-destructive violence. Samson Agonistes is seemingly a play in which almost nothing happens except Samson's final act. But Milton makes Samson's struggles internal and so most of things happen inside Samson. While some critics say Samson, as an instrument of Providence, dramatizes the completion of divine revenge in the end, others say he eventually reaches salvation through his victory over temptations and painful despair. If we put any one perspective upon Samson Agonistes, it ought to seem the partial and incomplete understanding of the play. Therefore, it is a convincing explanation that Samson finally responds God's purposes with his free will.
Abstract
In Samson Agonistes(1671) John Milton focuses on the last critical moments of Samson's life. In this study, I try to answer the question “Does Milton ultimately embody Samson's salvation or the completion of divine revenge?” in Samson Agonistes. To achieve this I’ll show that Milton rewrites the biblical Samson story as a tragedy with a Christian perspective by means of dramatizing Samson's spiritual sufferings and growth. Milton's Samson has a psychological depth that is hard to find in the biblical Samson story. At the beginning of the play, blinded and imprisoned Samson abandons himself to despair. However, through his successful struggles with tempters such as Chorus, Manoa, Dalila and Harapha and also through ‘rousing divine motions’ in him, Samson finally revenges himself on both the Philistines and their false god Dagon in self-destructive violence. Samson Agonistes is seemingly a play in which almost nothing happens except Samson's final act. But Milton makes Samson's struggles internal and so most of things happen inside Samson. While some critics say Samson, as an instrument of Providence, dramatizes the completion of divine revenge in the end, others say he eventually reaches salvation through his victory over temptations and painful despair. If we put any one perspective upon Samson Agonistes, it ought to seem the partial and incomplete understanding of the play. Therefore, it is a convincing explanation that Samson finally responds God's purposes with his free will.
참고문헌 (19)
- Bennett, Joan S., "Reading Samson Agonistes, In The Cambridge Companion to Milton", pp.219~235 (1999), Cambridge UP
- Brown, Cedric C., "John Milton: A Literary Life" (1995), Macmillan
- Dobranski, Stephen B., "The Cambridge Introduction to Milton" (2012), Cambridge UP
- Fallon, Robert Thomas, "Divided Empire: Milton's Political Imagery" (1995), The Pennsylvania State UP
- Fisch, Harold, "The Biblical Presence in Shakespeare, Milton, and Blake" (1999), Clarendon Press
- Fish, Stanley, "Question and Answer in Samson Agonistes, In Milton: Comus and Samson Agonistes", pp.209~245 (1975), Macmillan
- Flannagan, Roy, "John Milton" (2002), Blackwell
- Flesch, William, "Reading, Seeing, and Acting in Samson Agonistes, In Critical Essays on John Milton", pp.131~146 (1995), G.K. Hall
- Gross, Christopher, "Milton and the Sense of Tradition" (1988), Yale UP
- Hutchinson, F. E., "Milton and the English Mind" (1962), Collier Books
- Loewenstein, David, "Milton and the Drama of History: Historical Vision, Iconoclasm, and the Literary Imagination" (1990), Cambridge UP
- Loewenstein, David, ""Casting Down Imaginations": Milton as Iconoclast, In Critical Essays on John Milton", pp.115~130 (1995), G.K. Hall
- Milton, John, "Samson Agonistes. The Complete Works of John Milton. Vol. II", pp.65~119 (2008), Oxford UP
- Morse, David, "England's Time of Crisis: From Shakespeare to Milton: A Cultural History" (1989), St. Martin's Press
- Nicolson, Marjorie H., "John Milton: A reader's guide to his poetry" (1964), Thames and Hudson
- Sauer, Elizabeth, "Discontents with the drama of regeneration, In The New Milton Criticism", pp.120~136 (2012), Cambridge UP
- Shawcross, John T., "John Milton: The Self and the World" (1993), The UP of Kentucky
- Skulsky, Harold, "Justice in the Dock: Milton's Experimental Tragedy" (1995), U of Delaware P
- Stein, Arnold, "Heroic Knowledge: An Interpretation of Paradise Regained and Samson Agonistes" (1957), U of Minneapolis P
