崔松雪堂 歌辭의 문체와 현실인식

Abstract

This study was prompted by the necessity that Kyubanggasa's in the 20's century should be researched in a literaty style and the consciousness of the real. The research implications of Choi-songsuldang gasa's in the Twentieth century run as follows : First, It might be understood that a consciousness and a role of the feudal women had an certainly influence in her literary style through A career of Choi-songsuldang and a writing process of 'Eunmunsajo' Second, The literary style of Choi-songsuldang gasa's expressed special features. those are the beginning style of things calling and the closing style of incompletion, it should be noted that Kyubanggasa's in the Twentieth century accept modern literary style. Third, of Choi-songsuldang's gasa expressed three the consciousness of the real. Choi-songsuldang had the attachment to family, nation and age of hers. but it should be noted that her consciousness is ditinguished women's feudal attitude. It might be understood that Kyubanggasa's in the 20's century is also the product of a reciprocal action of modernization and tradition through Choi-songsuldang's gasa. Why I placed special emphasis on a historical approach to Choi-songsuldang's gasa in the 20's century in this paper is that modernity should be considered separately in style aspect and conscious aspect.