？畢齋 ？東都樂府？의 성격과 계승 양상

Abstract

In the 15th century, Kim Jong-jik and Sung hyun(成俔) had discussions about poem's function and true nature. The points of issue were Gyohwaron(敎化論) and Sajangron(詞章論). Kim jong-jik insisted Gyohwaron emphasizing the originality and function on poem and he told "Poem must based on the human nature and have a function of enlightenment". Sung hyun insisted Sajangron and told "Essentially, poem must have literary embellishment and craftsmanship". One day Kim Jong-jik composed 「Dongdoakbu」 which was formed of seven poems and anecdotes. It content the traditional culture of Kyongju(慶州) in Shilla(新羅) dynasty. It revealed his Gyohwaron. As a result, It was a beginning of Yeongsaakbu(詠史樂府) in the Korean literary history. 「Dongdoakbu」 created a sensation in the Chosun(朝鮮) dynasty. His disciple Cho We(曺偉) composed 「Kyerimpalgwan(鷄林八觀)」 and Yoo ho-in(兪好仁) composed 「Dongdojabyeong(東都雜詠)」 also. And many poet one after another created Haedongakbuche(海東樂府體) which was developed under the influence of 「Dongdoakbu」.