조선조 문인의 無等山 유람과 시적 형상화

Abstract

This study aims to analyse the subjects of poetic representation obtained through excursion to Mt. Mudeung of literary persons in Joseon period and their characteristics. It is thought that the literary persons used impressive things of the mountain as materials of poetry and the poetry is categorized according to the following themes: whole mountain, temple, and natural objects. First, in respect to the representation of the whole mountain, its beautiful scenery is represented in images. The images are divided into 'image of true mountain’, ‘image of permanence’, and ‘image of standing rocks.’ Second, The poetry describing temple exploring is roughly categorized according to space of entertaining and exploring, space of unconventionality, and space of association of Confucianism with Buddhism based on how space of temple was recognized. Such aspect may not be the only characteristic of Mt. Mudeung as it is generally found in other temples. However, special characteristics are found from various aspects hidden under universal aspects. Third, when the poetry using natural objects as materials was analysed, it was discovered that a number of poems used a literary device of imagination. It was designed to represent mysterious sense felt from natural objects. Therefore, it is concluded that it will be an important mechanism which will increase the power of infinite imagination of Mt. Mudeung. Finally, this study suggests that careful collection of data through further research with broader ranges is needed and enough data should be presented to interpret data on Chinese literary classics in more contemporary basis. However, to present sufficient data, more intensive research is needed through which persuasive results can be presented.