빈고전주의 음악의 자율성과 보편성에 이르기까지: 그 살진 토양으로서의합스부르크 황제와 귀족의 음악 후원 및 문화
The Autonomy and Universality of the Music of Viennese Classicism: The Music Patronage and Culture of the Hapsburg Emperors and Aristocracy as Ground Basis
0
조회
0
다운로드
3
인용
0
참고문헌
키워드
초록
본 논문은 빈고전주의 음악의 자율성, 보편성에 살진 토양을 마련해준 합스부르크 제국 황제와 귀족의 음악문화 및 음악후원에 대해 탐구하며, 다음의 결론에 이른다. 합스부르크 제국의 절대적이고 강력한 유력가들은 정치적, 종교적 목적을 음악후원의 한 기틀로 삼았으나, 동시에 수 세대에 걸쳐 음악을 중요한 정신적 덕목으로 삼으며 전문가적 관심과 방식으로써다양한 장르의 음악예술을 보호했다. 아울러 ‘옛’ 양식과 ‘현대적’ 양식, ‘옛’ 언어와 ‘현대적’ 언어, 세속적 양식과 종교적 양식이 공존하는 음악, 혼합양식의 음악을 보호, 후원함으로써보편주의적 음악 상(像)을 구현했다. 이러한 기조 가운데 18세기 중반 황제에서 귀족으로 음악 문화 및 후원의 주체가 옮겨지고, 이때 귀족들은 후원자를 넘어 동료로서 동시대와 미래를 주도할 음악에 발전의 동력을 마련해주었다. 과거 유산들의 시대 초월적 의미마저 발견해내 독창적 작곡가들에게 알린 이들의 공적은 음악예술의 자율성과 보편적 가치 실현을 위한중요한 밑거름이 되었다.
Abstract
This study explores the music patronage and culture of the emperors and aristocracy of the Hapsburg Empire, which provided a ground basis from which Viennese Classicism developed autonomy and universality, and arrives at the following conclusions. For those wielding absolute and strong power in the Hapsburg Empire, political and religious objectives were an important part of the music patronage. But these people also had considered music an important spiritual virtue over generations, and protected music across various genres with expert interest and methods. By protecting and sponsoring music that reconciles ‘old’ styles and ‘modern’ styles, ‘old’ languages and ‘modern’ languages, and secular styles with religious styles, they helped a universalistic form of music to materialize. Amid this atmosphere, the key role in musical culture and patronage shifted from the emperors to the aristocrats. These aristocrats, as colleagues as much as patrons, helped to provide the impetus for the development of the music that would lead their time as well as the future. Also helping creative composers to discover meaning transcending the ages in the musical heritage of the past, they became the critical ground basis for the realization of musical autonomy and universal musical values.
참고문헌 (24)
- Harnoncourt, Nikolaus, "바로크음악은 ‘말’한다" (2006), 음악세계
- "Allgemeine Musikalische Zeitung 11 (5. Oktober 1808-27. September 1809)" (1809), Breitkopf & Härtel
- Antonicek, Theophil, "Musikgeschichte Österreichs Bd. 2: Vom Barock zum Vormärz. Herausgegeben von Gernot Gruber. 2. überarbeitete und stark erweiterte Auflage", pp.15~76 (1995), Böhlau
- Bérenger, Jean, "Die Geschichte des Habsburgerreiches 1273 bis 1918 . 2. Auflage" (1995), Böhlau Verlag
- 1930, "Der Bär. Jahrbuch von Breitkopf & Härtel auf die Jahre 1929", pp.1930, Bernhardt, Reinhold
- Bucklow, Spike, "The Riddle of the Image: The Secret Science of Medieval Art" (2014), Reaction Books
- Burney, Charles, "A General History of Music, from the Earliest Ages to the Present Period, Vol. 3", Payne and Son
- Burney, Charles, "Tagebuch einer musikalischen Reise durch Frankreich und Italien, durch Flandern, die Niederlande und am Rhein bis Wien, durch Böhmen, Sachsen, Brandenburg, Hamburg und Holland 1770-1772" (2003), Florian Noetzel Verlag
- Dahlhaus, Carl, "Neues Handbuch der Musikwissenschaft Bd. 5: Die Musik des 18. Jahrhunderts" (1985), Laaber Verlag
- Dahlhaus, Carl, "Brockhaus Riemann Musiklexikon Bd. 1. Herausgegeben von Carl Dahlhaus, Hans Heinrich Eggebrecht. 3. Auflage", pp.72~73 (2001), Atlantis Musikbuch–Verlag
- Flotzinger, Rudolf, "Musikgeschichte Österreichs Bd. 2: Vom Barock zum Vormärz. Herausgegeben von Gernot Gruber. 2. überarbeitete und stark erweiterte Auflage", pp.77~132 (1995), Böhlau
- Gruber, Gernot, "Musikgeschichte Österreichs Bd. 2: Vom Barock zum Vormärz. Herausgegeben von Gernot Gruber. 2. überarbeitete und stark erweiterte Auflage", pp.133~278 (1995), Böhlau
- Hilscher, Elisabeth, "Mit Leier und Schwert. Die Habsburger und die Musik" (2000), Styria
- Jahrbuch der Tonkunst für Wien und Prag, "Jahrbuch der Tonkunst für Wien und Prag, 1796", Schönfeld
- Khevenhüller-Metsch, Rudolf Graf, "Aus der Zeit Maria Theresias. Tagebuch des Fürsten Johann Josef Khevenhüller-Metsch, kaiserlichen Obersthofmeisters 1742-1776 Bd. 2: 1745-1749" (1908), Adolf Holzhausen, Wilhelm Engelmann
- Kunze, Stefan, "Die Sinfonie im 18. Jahrhundert. Von der Opernsinfonie zur Konzertsinfonie" (1993), Laaber Verlag
- Massenkeil, Günther, "Oratorium und Passion Teil 1" (1998), Laaber Verlag
- Pečar, Andreas, "Die Kunst der Mächtigen und die Macht der Kunst. Herausgegeben von Ulrich Oevermann, Johannes Süßmann, Christine Tauber", pp.179~199 (2007), Akademie-Verlag
- Preußner, Eberhard, "Die bürgerliche Musikkultur. Ein Beitrag zur deutschen Musikgeschichte des 18. Jahrhunderts" (1935), Hanseatische Verlagsanstalt
- Rochlitz, Friedrich, "Für Freunde der Tonkunst. Bd. 4" (1832), Cnobloch
- Seifert, Herbert, "The Royal Chapel in the Time of the Habsburg: Music and Court Ceremony in Early Modern Europe", pp.40~47 (2005), The Boydell Press
- Seifert, Herbert, "Wien. Musikgeschichte. Von der Prähistorie bis zur Gegenwart. Herausgegeben von Elisabeth Th. Fritz-Hilscher, Helmuth Kretschmer", pp.143~212 (2011), Lit Verlag
- von Köchel, Ludwig Ritter, "Die Kaiserliche Hof-Musikkapelle in Wien von 1543 bis 1867. Nach urkundlichen Forschungen" (1869), Beck’sche Universitäts - Buchhandlung
- von Nissen, Georg Nikolaus, "Biographie W. A. Mozarts" (1828), Breitkopf & Härtel