모차르트 오페라의 관습적 이디엄
Mozart's Conventional Idiom in his Opera
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초록
Mozart's artistic creativity is markedly shown in his technique of applying conventional idioms through which he communicated with his audience. The best way to understand his expressive vocabulary would be to examine the musical language in his operas, since it develops its own plot. In this study, the treatment of the conventional idioms in Le nozze di Figaro and Don Giovanni was analyzed in four categories based on Mozart's own statement about Die Entführung aus dem Serail: overture as an anticipation of an opera, description of characters' class and nature, description of changing moods or affection, and technique of conversion between scenes. This study can provide a somewhat clear view to draw a whole picture of Mozart's rhetoric in his instrumental music
Abstract
Mozart's artistic creativity is markedly shown in his technique of applying conventional idioms through which he communicated with his audience. The best way to understand his expressive vocabulary would be to examine the musical language in his operas, since it develops its own plot. In this study, the treatment of the conventional idioms in Le nozze di Figaro and Don Giovanni was analyzed in four categories based on Mozart's own statement about Die Entführung aus dem Serail: overture as an anticipation of an opera, description of characters' class and nature, description of changing moods or affection, and technique of conversion between scenes. This study can provide a somewhat clear view to draw a whole picture of Mozart's rhetoric in his instrumental music
참고문헌 (8)
- Allanbrook, Wye J., "Rhythmic Gesture in Mozart: Le Nozze di Figaro and Don Giovanni" (1983), University of Chicago Press
- "Mozart's Tunes and Melody of Closure. in : On Mozart", pp.169~186 (1994), Woodrow Wilson Center Press and Cambridge University Press
- Anderson, Emily, "The Letters of Mozart and His Family" (1997), Macmillan Reference Limited
- Christensen, Thomas, "Aesthetics and the Art of Musical Composition in the German Enlightenment" (1995), Cambridge University Press
- Heartz, Daniel, "Mozart's Opera" (1990), University of California Press
- 권송택 역, "옛 언어에 관하여: 볼프강 아마데우스 모차르트 음악의 역사적 이디엄", 음악논단, 20(20), pp.253~277 (2006), 음악연구소
- Ratner, Leonard G., "Classical Music: Expression, Form, and Style" (1980), Schirmer Books
- 권송택, "서양 고전주의 음악의 관용적 표현 양식", 음악과 문화, (13), pp.89~124 (2005), 세계음악학회