중국 용산, 니시 흑도의 장식기법 비교 연구

Abstract

Longshan Black pottery in Shandong Province and Nixi Black pottery in Yunnan Province are the two most important branches of Chinese black pottery. Due to the different factors such as region, culture and religion, they are also very different in the inheritance and development of decorative techniques. Carving is a common decorative technique used in Longshan black pottery, and its contents are mainly the patterns of traditional Chinese flowers and rolled grass.The decoration of Nishi black pottery has a strong minority characteristics, the main decoration techniques are scratching, kneading, Mosaic and so on. The author visited the origin of the two kinds of black pottery and the museum on the spot, and consulted and sorted out the relevant literature. This paper mainly makes a comparative study on the decoration techniques of Longshan black pottery and Nisi Black pottery. Longshan Black pottery and Nisi Black pottery are two important branches of Chinese black pottery. These two kinds of black pottery have the same decorative techniques, such as polishing techniques, scratching techniques, stacking techniques and so on. There are also differences in the common techniques of the two kinds of black pottery. The surface of Longshan black pottery works is smooth and glossy, and the lines of carving patterns are smooth and exquisite. The surface of the works of Nishi black pottery is shiny and has an obvious sense of undulation, and the pattern lines are rough. These two kinds of black pottery also have their own unique decorative techniques, such as Longshan black pottery carving techniques and fusion techniques, Nisi black pottery Mosaic techniques. By comparing and studying the decorative techniques of the two, it is concluded that the overall artistic style of Longshan black pottery is exquisite and elegant, while that of Nisi Black pottery is primitive, rough and simple. The decorative techniques of the two kinds of black pottery reflect their unique national characteristics. This paper makes an integrated analysis of the decorative techniques of black pottery, hoping to provide better reference materials for writers who are interested in black pottery, and also hope to help the inheritance and development of black pottery decorative techniques.