Developing Experiential Exhibitions Based on Conservation Science Content of Bronze Mirror
1
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
In museums, exhibition content focuses mostly on cultural heritage’s historical values and functions, but doing so tends to limit visitors’ interest and immersion. To counter this limitation, the study developed an experiential media art exhibition fusing bronze mirrors’ traditional production technology and modern conservation science. First, for the exhibition system, scientific cultural heritage contents were projected on the three-dimensional (3D) printed bronze mirror through interactions between motion recognition digital information display (DID) and the projector. Then, a scenario of 17 missions in four stages (production process, corrosion mechanism, scientific analysis and diagnosis, and conservation treatment and restoration) was prepared according to the temporal spectrum. Additionally, various media art effects and interaction technologies were developed, so visitors could understand and become immersed in bronze mirrors’ scientific content. A user test was evaluated through the living lab, reflecting generally high levels of satisfaction (90.2 points). Qualitative evaluation was generally positive, with comments such as “easy to understand and useful as the esoteric science exhibition was combined with media art” (16.7%), “wonderful and interesting” (11.7%), and “firsthand experience was good” (9.2%). By combining an esoteric science exhibition centered on principles and theories with visual media art and by developing an immersive directing method to provide high-level exhibition technology, the exhibition induced visitors’ active participation. This exhibition’s content can become an important platform for expanding universal museum exhibitions on archaeology, history, and art into conservation science.
Abstract
In museums, exhibition content focuses mostly on cultural heritage’s historical values and functions, but doing so tends to limit visitors’ interest and immersion. To counter this limitation, the study developed an experiential media art exhibition fusing bronze mirrors’ traditional production technology and modern conservation science. First, for the exhibition system, scientific cultural heritage contents were projected on the three-dimensional (3D) printed bronze mirror through interactions between motion recognition digital information display (DID) and the projector. Then, a scenario of 17 missions in four stages (production process, corrosion mechanism, scientific analysis and diagnosis, and conservation treatment and restoration) was prepared according to the temporal spectrum. Additionally, various media art effects and interaction technologies were developed, so visitors could understand and become immersed in bronze mirrors’ scientific content. A user test was evaluated through the living lab, reflecting generally high levels of satisfaction (90.2 points). Qualitative evaluation was generally positive, with comments such as “easy to understand and useful as the esoteric science exhibition was combined with media art” (16.7%), “wonderful and interesting” (11.7%), and “firsthand experience was good” (9.2%). By combining an esoteric science exhibition centered on principles and theories with visual media art and by developing an immersive directing method to provide high-level exhibition technology, the exhibition induced visitors’ active participation. This exhibition’s content can become an important platform for expanding universal museum exhibitions on archaeology, history, and art into conservation science.
참고문헌 (13)
- Jian-Song Bai, "Study on Museum Digital Exhibition Mode and Industrialization of Intangible Cultural Heritage", Journal of Information and Communication Convergence Engineering, 9(2), pp.129~134 (2011), 한국정보통신학회
- Grundhöfer, A., "Recent advances in projection mapping algorithms, hardware and applications", Computer Graphics Forum, 37(2), pp.653~675 (2018)
- Guo, Y., "A real-time interactive system of surface reconstruction and dynamic projection mapping with RGB-depth sensor and projector", International Journal of Distributed Sensor Networks, 14(7), pp.1~12 (2018)
- 전호태, "한국 암각화 디지털 박물관 전시 콘텐츠 연구", 인문콘텐츠, (43), pp.25~40 (2016), 인문콘텐츠학회[DOI]
- 전익환, "한반도 출토 청동거울의 표면처리 기법에 관한 연구", 보존과학회지, 22, pp.87~98 (2008), 한국문화재보존과학회
- 김민경, "미디어 아트 기반의 체험형 문화콘텐츠 연구", 한국디자인포럼, (22), pp.265~274 (2009), 한국디자인트렌드학회[DOI]
- Krautsack, "3D projection mapping and its impact on media & architecture in contemporary and future urban spaces", Journal of the New Media Caucus, 7, pp.1~ (2011)
- Kuo, C., "The digital museum: a case study of digital applications in the national palace museum", Global Journal of Human-Social Science, 16, pp.30~38 (2016)
- Nofal, E., "Communicating the spatiotemporal transformation of architectural heritage via an in-situ projection mapping installation", Digital Applications in Archaeology and Cultural Heritage, 11, pp.e00083~ (2018)
- 노승석, "문화원형을 이용한 인터랙티브 미디어 작품 연구", 디자인학연구, 25(1), pp.157~166 (2012), 한국디자인학회
- 성민제, "증강현실을 이용한 문화재 학습 콘텐츠 설계 및 구현", 디지털콘텐츠학회논문지, 18(5), pp.831~837 (2017), 한국디지털콘텐츠학회[DOI]
- Yamazoe, H., "Projection mapping onto multiple objects using a projector robot", Advances in Robotics Research, 2(1), pp.45~57 (2018)
- Yun, H. R., "A study of digital media art utilizing the contents of the architecture cultural property", International Journal of Asia Digital Art & Design, 17(2), pp.77~84 (2013)