본문 바로가기
KERD
논문KCI 등재

신구법천문도 채색 안료 비교 및 제작시기 추정

Comparison of Pigments and Estimation of Production Period in Old and New Celestial Charts Folding Screens

0

조회

0

다운로드

3

인용

0

참고문헌

키워드

주제분류자연과학일반

초록

신구법천문도 3점(국립민속박물관 소장 ≷천문도(병)≸, ≷신구법천문도 8폭 병풍≸, 일본 국회도서관 소장 ≷황도남북양총성도≸)에 대한 채색 안료 분석 및 이를 통한 제작시기를 추정하 였다. ≷천문도(병)≸에서는 조선에서 널리 사용되어오던 석청(남동광), 청화(쪽), 석록(공작석), 하엽(아타카마이트), 주, 석간주(산화철), 연지(코치닐), 등황, 석자황, 연분, 활석 등과 같은 전통 적인 유⋅무기질 안료들이 사용되었다. ≷신구법천문도 8폭 병풍≸와 ≷황도남북양총성도≸에서는 19세기 중엽 이후 유럽에서 유입된 합성 무기안료인 양록(에메랄드 그린)과 양청(울트라마린 블루)가 사용되었다. ≷신구법천문도 8폭 병풍≸에서는 녹색과 청색에 합성 무기안료만 사용되었 지만, ≷황도남북양총성도≸에서는 전통적으로 사용되어온 하엽과 청화도 함께 사용되었다. 신구 법천문도의 성도와 도설 연구와 연계하여 안료 분석결과로부터 추정한 제작시기는, 조선시대 전통안료만으로 채색된 ≷천문도(병)≸ 18세기 중엽 이후로 추정되며, ≷황도남북양총성도≸와 ≷신구법천문도 8폭 병풍≸은 19세기 중엽 서양의 녹색과 청색 안료가 도입된 후 제작되었다. 그리고 전통안료와 서양의 합성안료가 함께 사용된 ≷황도남북양총성도≸가 ≷신구법천문도 8폭 병풍≸ 보다 제작시기가 빠른 것으로 추정된다.

Abstract

The pigments of three old and new celestial charts folding screens(≷Celestial Chart(Folding Screen)≸ and ≷Old and New Celestial Charts, Eight-Panel Folding Screen≸ of National Folk Museum of Korea and ≷Koudou-Nanboku-Ryousouseizu≸ of National Diet Library of Japan) were analyzed to estimate their dating. It was estimated that the ≷Celestial Charts(Folding Screen)≸ was painted using traditional pigments from the Joseon dynasty such as azurite, indigo lake, malachite, atacamite, vermilion, iron oxide, cochineal, gamboge, orpiment, lead white, talc and soot. The green and blue colors of the ≷Old and New Celestial Charts, Eight-Panel Folding Screen≸ and ≷Koudou-NanbokuRyousouseizu≸ were painted using artificial inorganic pigments such as emerald green and ultramarine blue. These pigments were imported from Europe post the mid-19th century. In the ≷O ld and New Celestial Chart, Eight-Panel Folding Screen≸, only artificial inorganic pigments were used for green and blue colors. However in the ≷Koudou-Nanboku-Ryousouseizu≸, emerald green and atacamite in green color, and ultramarine blue and indigo lake in blue color were used together. Based on both the results of pigment analysis and the study of star charts and inscriptions, the ≷Celestial Charts(Folding Screen)≸ was painted post mid-18th century. The ≷Koudou-Nanboku-Ryousouseizu≸ and ≷Old and New Celestial Charts, Eight-Panel Folding Screen≸ were painted after green and blue artificial pigments were imported in the mid-19th century. The ≷Koudou-Nanboku-Ryousouseizu≸ in which both traditional and western artificial pigments were used, can be dated earlier than the ≷Old and New Celestial Chart, Eight-Panel Folding Screen≸.

참고문헌 (23)

  1. Ahn, S. H., "Origin of the Korean screen planisphere with both old and new star-charts", Gogung Munhwa, 6, pp.8~43 (2013)
  2. "Emerald greem" (2020)[URL]
  3. "Ultramarine blue, synthetic" (2020)[URL]
  4. Chung, D. H., "A study of the techniques used in royal portraiture during the late Joseon Dynasty", Doctor, pp.2012
  5. Cosentino, A., "FORS spectral database of historical pigments in different binders", e-conservation, 2, pp.57~68 (2014)
  6. Eastaugh, N., "Pigment compendium: optical microscopy of historical pigments", pp.194~197 (2004), Elsevier Butterworth-Heinemann
  7. Han, Y. H., "Reinvestigation onto Cheonsang’yeolchabun’yajido", Gogung Munhwa, 1, pp.11~31 (2007)
  8. "Past auctions and results" (2017)[URL]
  9. Lee, M. H., "Production of an astronomical chart during the Yeonjo period and their attitude to receive western astronomical Chart : focused on"New and old Style astronomical Chart"possessed by the National Folk Museum of Korea", The Review of Folk Life and Culture, 3, pp.1~22 (2001)
  10. Leona, M., "Fiber optics reflectance spectroscopy : a unique tool for the investigation of Japanese paintings", Studies in Conservation, 46(3), pp.153~162 (2001)
  11. Eight-panel folding screen of astronomical map-Research report for restoration and conservation treatment, "National Folk Museum of Korea", 35~ (1995)
  12. "Koudou-Nanboku-Ryousouseizu" (2020)[URL]
  13. Needham, J., "A Korean astronomical screen of the eighteenth century, the hall of heavenly records: Korean astronomical instruments and clocks 1380–1780", pp.153~179 (1986), Cambridge University Press
  14. Moon, S. Y., "Analysis of the pigment and textile of the ‘Seokpa San Jang’ tablet", The Journal of Conservation of Cultural Properties, 2, pp.127~132 (2005)
  15. Moon, S. Y., "A study of pigments applied on paintings since the mid-Joseon Dynasty", Doctor, pp.2010
  16. "The Review of Folk Life and Culture", 2010, 103~112
  17. 오준석, "19~20세기 무신도 등에 사용된 구리-비소 녹색 안료에 대한 연구", 보존과학회지, 31(3), pp.193~214 (2015), 한국문화재보존과학회
  18. 오준석, "구리와 염소 주성분 녹색 안료 코퍼 트리하이드록시클로라이드(Copper Trihydroxychloride)에 대한 고찰", 헤리티지:역사와 과학, 53(2), pp.64~87 (2020), 국립문화유산연구원[DOI]
  19. Pegg, R. A., "The star charts of ignatius Kögler(1680–1746)in the Korean Court", Journal of Jesuit Studies, 6, pp.44~56 (2019)
  20. Pigment analysis and period characteristics of the Buddhist paintings of Cheongnyong-sa temple, Buddhist art research series No. 7, royal temples of the Joseon dynasty 2. Cheongnyong-sa Temple at Anseong, "Ro, J. H.", National Museum of Korea, 147~168 (2017)
  21. Shin, H. O., "The study on the color pigment materials of Chosun dynasty", Master, pp.2007
  22. "The Veritable Records of King Gojong, 1874, vol 11, Year 11, Month 5, Day 5 (in Chinese characters)", ~
  23. "Limb darkening" (2020)[URL]

관련 논문AI추천

이 간행물의 다른 논문 (11건)