칠장사 오불회 괘불탱 화기에 기록된 채색 재료의 해석
Interpretation of Coloring Materials Recorded in Ceremonial Writing of the Hanging Painting of Chiljangsa Temple (Five Buddhas)
1
조회
0
다운로드
3
인용
0
참고문헌
키워드
초록
본 연구는 칠장사 오불회 괘불탱의 과학적 조사 결과를 종합하여 화기에 기록된 채색 재료에 대해 해석하고자 하였다. 연구결과 진분은 연백, 주홍은 진사, 황단은 연단, 황금은 금, 석자황은 석황으로 확인되었다. 녹색의 당하엽과 삼록은 copper trihydroxychloride, 청색의 대청과 중청은 석청으로 확인되며 이들의 입도에 따라 색상의 변화를 준 것으로 보인다. 연지와 청화는 각각 적색과 청색의 유기염료로서 청색은 쪽의 존재가 확인되나 연지는 고문헌과 한자의 명칭에 차이를 보여 통시적으로 사용된 연지인지는 불분명하다. 수토황은 괘불탱에서 그존재가 확인되지 않았으나 황색 계열의 재료로 보이며 토양추출물이나 등황일 가능성이 높다.
Abstract
This study aimed to interpret the coloring materials recorded in the ceremonial writing with the scientific investigation results of the Hanging Painting of the Chiljangsa Temple (Five Buddhas). The results confirm that the Jinboon, Joohong, Hwangdan, Hwanggeum and Seokjahwang are clearly connected to lead white, cinnabar, minium, gold, and orpiment, respectively. Danghayeop and samrok are related to Copper trihydroxychloride, while Daecheong and Joongcheong are azurite, and they seems to be classified by the particle size. Yeonji and Chunghwa are organic dyes in red and blue, respectively, with blue confirming the existence of the side, but Yeonji differs from the names of the ancient texts and Chinese characters; it is unclear whether it is a commonly used Yeonji because of differences in the names of the ancient texts. The presence of Sootohwang has not been confirmed in the gwaebultaeng, but it can be extracted from the soil as a yellow-colored material but the possibility of Deunghwang cannot be ruled out.
참고문헌 (15)
- Dorimsa Gwaebultaeng, research report of large buddhist painting: Gwaebultaeng. 11, "Cultural Heritage Administration and Research Institute of Sungbo Cultural Heritage", 45~64 (2017)
- Naesosa Yeongsanhoe Gwaebultaeng, research report of large buddhist painting: Gwaebultaeng. 12, "Cultural Heritage Administration and Research Institute of Sungbo Cultural Heritage", 49~74 (2017)
- Ansimsa Yeongsanhoe Gwaebultaeng, research report of large buddhist painting: Gwaebultaeng. 24, "Cultural Heritage Administration and Research Institute of Sungbo Cultural Heritage", 54~79 (2019)
- Hanging painting of Bongjeongsa temple, research report of large buddhist painting: Gwaebultaeng. 28, "Cultural Heritage Administration and Research Institute of Sungbo Cultural Heritage", 51~76 (2020)
- Jeong, H. Y., "Information on the raw materials and production sites of traditional pigments shown in the ancient text", Joint Academic Symposium on Traditional Dancheong Research, pp.11~ (2018)
- Kim, H. J., "Understanding Dancheong in Korea", pp.168~169 (2012), Hanti Media
- 이은우, "출토 청동유물 부식의 형태학적 고찰 및 부식생성물의 특성 연구", 헤리티지:역사와 과학, 46(3), pp.4~15 (2013), 국립문화유산연구원
- Lee, J. N., "Natural dye", pp.170~ (2004), Hyeonamsa
- National Research Institute of Cultural Heritage, "Non-destructive pigment analysis guideline", pp.16~ (2016), Logue tree
- National Research Institute of Cultural Heritage, "Investigate the domestic production site of natural pigments", pp.11~ (2017), G graphic
- 오준석, "구리와 염소 주성분 녹색 안료 코퍼 트리하이드록시클로라이드(Copper Trihydroxychloride)에 대한 고찰", 헤리티지:역사와 과학, 53(2), pp.64~87 (2020), 국립문화유산연구원[DOI]
- Shin, H. O., "The study on the color pigment materials of Chosun Dynasty", Master, pp.2008
- Shin, T. H., "A study on Five-Buddha painting at the Jurinji temple in Hyogo Prefecture", Master, pp.2020
- 송유나, "봉정사 영산회괘불도화기에 기록된 안료명에 대한 고찰", 보존과학회지, 30(1), pp.13~25 (2014), 한국문화재보존과학회[DOI]
- Yoon, Y. S., "Gwaebul", pp.10~ (1990), Daewonsa