변화하는 전시환경에 요구되는 보존 방안: 개방형 수장고 내 보존 지지대 개발
Conservation Measures for Changing Exhibition Environments: Development of Support in Open Storage
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개방형 수장고 형태의 전시가 가진 이점을 활용하기 위해 이를 도입한 국내 미술관⋅박물관들이 증가하고 있다. 이에 따라 관람객과 개방형 수장고 환경에 의한 소장품의 손상이 우려되고 있다. 국립현대미술관의 개방형 수장고에 전시 중인 최정화 작가의 작품 ‘내일의 꽃’은수장고 환경, 관람객의 접촉, 구조적 불안정 등으로 인하여 물리적 손상이 발생하였다. 본 연구에서는 보존처리 완료 후 작품이 다시 전시되었을 때 개방형 수장고 환경에서 손상을 최소화할수 있고 관람 시 이질감이 없는 지지대를 개발 및 제작하고자 하였다. 지지대는 3D 스캐너및 3D 프린터를 활용하여 취약한 부위에 알맞은 모양으로 제작하였다. 지지대의 길이, 두께에따른 하중지지력을 측정하여 개방형 수장고 내부에 흐르는 바람의 세기에 적합한 조건을 선정하였다. 실험 결과를 바탕으로 지지대를 제작하고 적용 부위의 작품 색상에 이질감이 없도록색맞춤하여 작품에 부착된 상태로 현재 개방형 수장고에 전시하고 있다.
Abstract
The number of domestic art museums and museums that have introduced it to takeadvantage of the good points of an open storage type exhibition is increasing. Therefore, there is aconcern that the collection will be damaged by visitors and the open storage environment. The work“Flowers of tomorrow” by Choi Jeonghwa which is on display in the open storage of the NationalMuseum of Modern and Contemporary Art, was physically damaged due to the storage environment,contact with visitors, and structural instability. This study attempted to develop and produce supportsthat can minimize damage in an open storage environment and do not heterogeneous during viewingwhen the work is displayed again after the conservation treatment is completed. The support was madein a shape suitable for vulnerable parts using 3D scanner and 3D printer. The load bearing capacityaccording to the length and thickness of the support was measured, and conditions suitable for thewind strength flowing inside the open storage were selected. Based on the results of the experiment,the support was produced, and the color was matched so that there was no heterogeneity from thecolor of the work in the applied parts, and it was currently being displayed in open storage whilebeing attached to the work.
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