高句麗 古墳壁畵 彩色技法에 관한 硏究 -석회 마감벽을 중심으로-

Abstract

At the result of researches about the pigment that used for koquryo mural paintings until recently, most of materials are natural-mineral. There are Azurite and Lapis lazuli in typical blue pigments, and it treated a invaluable pigment because output of it is small from the past. In Koguryo mural painting, There is no Azurite and Lapis lazuli. So it make prediction carefully that there is usefulness of vegetable pigment. Malachite(石綠) and Ceradonite(Green Earth) are representative of green pigment. Malachite and Ceradonite that had used earlier than any others were discovered by study of painting pigment in Koguryo mural painting. In the case of Malachite, there was pigment painted top sleeve of tumulus owner's wife in the Tomb No.3 An-ak. and Ceradonite was discovered in Duk Heung Ri. So it made an excellent result of ancient pigment study in Korea. It was discovered that red pigment had used Hematite and Cinnavar. There is Red Ocher in red or reddish brown. Generally, it is explained that was gotten in Hematite. In the case of Red of Oxidized Steel, it can use Red Natural Ochre. Oxidized Steel content is lower than Haematite, but the color is same. Cinnavar is called Cinnabar and used to pigment from a long time ago. Cinnabar is expensive pigment which is hard to get from past to present. Vermillion gotten artificially had been used from ancient instead of it and it is. In case of white, there are most of Calcite and Lead white. Recently, Aragonite was discovered in the analysis. White pigment urgent to investigation about Lead white in Koguryo mural painting tumulus. Painting skill in Koguryo mural painting tumulus which is the way to paint on the wall of lime-ground is not necessary to separate only fresco or secco. Because it is able to discover that the passibility of mixed paint of fresco and secco in lots of the part. However, the writer think that it should be explained by the special way to paint of Koguryo mural or technology of mural in Eastern. There are a lot of the same thing in technological processes of mural of the West but they are different each other. Koguryo mural painting used the way in the rule of fresco, but not Buon fresco in western. Unlike fresco painting with water in Western, there is the possibility to paint mixed midium of soft. After drying, painted the final, covered outline and fixed by archetypal secco.