高麗 陽刻靑磁의 性格

Abstract

As Yanggak (embossed carving) is the technique of carving the design that expresses the pattern in relief, by making the pattern to be tried to indicate, highly more than the surrounding, it is one of the oldest techniques that decorates the pattern on Goryeo Celadon. This study established the recording chronologically in Yanggak Celadon and attempted to seek for aspects that Yanggak (embossed carving) is changed, and for its cause. And, the purpose of this study is to examine a change in the mode for Goryeo Yanggak Celadon, based on this. A method which was used for Goryeo Celadon aiming to indicate the effect of Yanggak, includes the raised carving that uses a carving blade, and the raised extruding or raised pressing that uses the clay mold. As the technology proceeds with being gradually settled, it was applied with a method appropriate for the production of porcelain in Goryeo. Based on the comparison between relics between Yongun-ri and Samheung-ri in Gangjin, and on vessels craved with “Sang (尙)” and celadon tile that were excavated in Samheung-ri, it saw the central period of ceramics for the iron pot in Yongun-ri and Samheung-ri as around the middle and the latter term of the 12th century. It could be seen that, through the comparison of relics excavated, Buan and other regions were also produced Yanggak Celadon briskly around the middle and latter term of the 12th century, and that, through the comparison of relics, the iron pot was operated until the time later than Yongun-ri. And, it supplemented the recording chronologically by comparing and considering Yanggak Celadon excavated in the site, and Yanggak Celadon excavated in the kiln site, which can be regarded as the materials of the recording chronologically according to period, and examined the aspects that Yanggak Celadon are changed. Like this, the causes for which Goryeo Yanggak Celadon are changed depending on time and are diversified depending on a region, include the external factor and the domestic factor. The external factor can be said to be influence of chinaware. The expansion of regions that produce Yanggak Celadon, as a domestic factor, is represented centering on the middle and latter term in the 12th century. On the basis of this, a change in modes of Goryeo Yanggak Celadon can be divided into the first term, the second term and the third term, and the second term can be again divided into three periods. This study examined the recording chronologically and the changing aspects in Goryeo Yanggak Celadon, through the aspects of Yanggak Celadon by region and by period. And, it more specifically examined chinaware, especially the relationship with Ding kiln. On top of this, through a study on Yanggak Celadon, it presented a new basis for the opinion which sees the central period for the heaps of No.10 in Yongun-ri of Gangjin, for which diverse opinions are being suggested even until now, as the latter half of 11th century ~ the 12th century.