<三藏>과 <蛇龍>의 시적변용과 문학사적 함의

Abstract

<Samjang> and <Saryong> are the song of Goryeo(高麗) in the king of Chungyeol, it is written in 『Goryosa』 <Ozam> as well as in the case of <Samjang> that is Goryogayo, 2 stanza of <Ssanghwajeom> has been translated into Chinese too. In contrast <Saryong> was translated into Sijo, which was built by a group of works. Nevertheless, the relationship between the two works was shaped by the fact that they were included together and contained a message called ‘rumor’. Although these two works have the same subject as the ‘rumor’, but they were different in their form of formation. If you read it thoroughly, you may found out that it has a quite different personality. This script valued this point and looked at the original meaning of the <Samjang> <Saryong>. In <Saryong>, it interpreted ‘a matter of facts of an action’ (1~2line), ‘concerning for the spread of rumors’ (3~4line) or ‘expectation of the spread of rumors’ (3~4line). In <Saryong>, it interpreted the recognition of rumor first, then a flurry of rumors (3line), and ‘prompt for the correct interpretation of a rumor’ as well. Unlike the descriptions that describe the background of the book as “the sycophantic song of the vassals adapted to King of Chungnyeol’s defeasible reference,” this script was viewed as a political investigation. These songs produced as a part of king Chungnyeol’s music policy, which pursed in the political situation of king Chungnyeol’s era, in the words of the song, and in the assessment by Kim Man-Jung. <Samjang>·<Ssanghuajeom> are transformed by Seopo, Kim Man-jung and Sung Ho, Lee ik. <Saryong> had been recreated as a Sijo. In <Ssanghuajeom>, it expanded its topic in the <Samjang>, and 「Akbu」 which was written by Lee ik expressed the courage of such a man who was given a seat of honor could bring charges against the king’s wrongdoing. On the other hand, the transformed work done by Kim Man Jung, and the rest can be seen in the Sijo of unknown author. Kim Man Jung express ‘a matter of judgement and perception’ (1~4line), ‘promoted the correct judgement’ (5~6line). In <Sijo>, it gave an absurd story first, then denied someone rumors, and lastly prompted for the correct judgement. These contents have changed from the original work. <Samjang> and <Saryong> were the main reasons for the author’s continued creation, from Goryeo to Joseon. The fact that it was an open piece that can be interpreted in various ways, and it is also a feature and advantage of these songs.